Aesthetical And Historical Values Of Indian Art- Pre Historic to 6th Century BC (Set of 2 Volumes)

Preface "Dhrupad is the only surviving form of Indian classical music and traces its origin to the chanting of Vedic hymns and mantras. In Vedic time two classes of music existed the samagana and the samara. The samagana was a musical rendering of a rig Vedic text and as such was held in high veneration and invested with divine mystical and spiritual qualities" the article written by Dr Ruchimittra Pandey discloses the facts and originality of Dhrupad.

The Dhrupad healing sound as nada yoga in Indian classical music ‘by Ahava Angel from Colombia, south America & the presentation of ancient Dhrupad, contributing of Samved in Indian classical music. Rig-Veda, super spiritual atmosphere during singing in Vedic period, saved originated from collected tunes of sea, clouds, lightening, vayu (air) etc, thus the samved of group of multitude tunes, Even lord Krishna who was expert in all fine arts said 'I am the samved of all Vedas.' The importance of rasa in bharatmunis natyashastra as Dr. H.L.S said 'Bharatmunis' treatment of abhinaya is the masterpiece of behavior. All emotional statues moods and mental climates are reflected on the sensitive periphery of human body. The demonstration of Dhrupad on sitar by. Dr. Trigunateet jamini is rare in the world.

The primary aim of this edited book is to provide readers with a clear understanding of fine arts in the field of performing arts, the importance of Dhrupad and samveda.

Finally I thank all who have been involved with the edited book, especial Dr. S.C. Jain honable vice chancellor, Yael abhava angel, Larry Jeromito Oino, William maestre villamizar, lla graph, Chistoph Geiseler, Dr. T. Jaimini, contributors, writers, researchers, peer reviewers and the production team.

**Contents and Sample Pages**