{"product_id":"tabla-and-world-of-indian-rhythms-idi738","title":"Tabla and The World Of Indian Rhythms","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eIDI738\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/ar\/book-author\/sudhis%20chandra%20banerjee\" class=\"underlined\" title=\"Sudhis Chandra Banerjee\"\u003eSudhis Chandra Banerjee\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/ar\/book-publisher\/shubhi%20publications\" class=\"underlined\" title=\"Shubhi Publications\"\u003eShubhi Publications\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2021\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eISBN:\u003c\/td\u003e \u003ctd\u003e9788182902534\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e352 (Color Illus: 8 )\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003ePaperback\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e7.6\" X 9.6\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWeight\u003c\/td\u003e \u003ctd rel=\"product-weight\"\u003e730 gm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003cp\u003e \u003cb\u003eFrom The Jacket\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e Here at last is a book in English on the Tabla, which the world has been waiting for. Due to Continuation of insulated traditions in Indian Musical Practices as well as a veil of secrecy in the closeted legacy of the Guru-Shishya Parampara, most Tabla students were prevented from learning the subject in a free and unrestricted manner, in earlier days, the source of learning was centered around great masters (often quite intemperate ones), who would not put things in writing so that the 'hidden treasure' was not made public. The training therefore was by word of mouth and through imitation. This is probably one of the main reasons why very few good books on the Table are available even to this day. Today though a few books are available on the Tabla in regional Indian languages, this is perhaps the first comprehensive book of its kind to be written in English to cater to all those who would like to have an understanding of the Tabla through the medium of English which happens to be the lingua-franca of the World. This book definitely would contribute to the expansion of the horizons of Indian Culture in bringing the concept of Indian Rhythms within the fold of World Music. With the Tabla gaining worldwide popularity as a percussion instrument, it is all the more necessary to have a reliable, all-inclusive book in English to serve the larger interests of musicians, practitioners, researchers and music lovers all over the world. After extensive research, Sudhis Chandra Banerjee has written this book in the most deft and cogent manner and has also devised a simple, intelligible Tabla Script of his own.\u003c\/p\u003e \u003cp\u003e This book has two sections viz. theory and Practice. It is lucidly written and is both systematic and understandable. It starts from the very basics to the advanced levels of Tabla in all its multi-dimensions and will prove to be an asset for any Individual, Institution, Teacher or Student who would like to teach\/learn or appreciate and enjoy the Tabla in a systematic way. Portions have been added to facilitate the teachers and students to use the book as a practice\/reference book for appearing at Music (Tabla) Examinations. This book would definitely prove to be a boon to all music lovers in this globalised world with its quintessential Indianness contributing to a pluralistic world culture.\u003c\/p\u003e \u003cp\u003e \u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e \u003cb\u003eSudhis Chandra Banerjee\u003c\/b\u003e is a Metallurgical Engineer from the Indian Institute of Technology, Kharagpur. A Metallurgist by profession and a Musician by passion, he took to the Tabla at the early age of seven. Besides his busy schedule as a Sr. Executive and Metallurgist of Tata Steel and other industries. Mr. Banerjee always did a fine balancing act to be with his Tabla practice and performances throughout his academic career as well as while in industry. He had his initial training on the Tabla from hiscousin shri Chandra Sekhar Banerjee (Guluda) of Calcutta. After a few years under his guidance, he was placed under the tutelage of the famous Tabla maestro Pandit Biswanath Bose of the Benares Gharana, from whom he had several years of advanced training.\u003c\/p\u003e \u003cp\u003e Mr. Banerjee belongs to the Benares School (Gharana) of Tabla playing and has always shown his deep interest for the dissemination of knowledge on the Table and Indian Rhythms. He is very widely traveled and besides his home country India, he has performed and given Lecture-Demonstrations on the Tabla in many major cities of the world. Besides his Engineering Degree from I. T. T., Mr. Banerjee is also a Graduate in Music and is an Examiner in Instrumental Music (Tabla) of the Bal Gandharva Mahavidyalaya. Mr. Banerjee has also been a Member of the Audition Board of the All India Radio. He has been honoured by the Singhbhum District Hindi Sahitya Samelan with an Award as a Tabla-Guru. Because of his sound technological background, he is able to add a significant dimension to the artistic craftsmanship of the Tabla.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eContents\u003c\/b\u003e\n\u003c\/center\u003e \u003ctable width=\"100%\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd width=\"10%\"\u003e \u003c\/td\u003e \u003ctd width=\"80%\"\u003e Preface\u003c\/td\u003e \u003ctd width=\"10%\"\u003e 7\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e \u003cb\u003eTHEORY\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003ctd\u003e The Origin and evolution of the Tabla\u003c\/td\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003ctd\u003e Classification of Indian Musical Instruments\u003c\/td\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 3\u003c\/td\u003e \u003ctd\u003e A Note on Pronunciation of Tabla Boles\u003c\/td\u003e \u003ctd\u003e 17\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003ctd\u003e Definition of some Terms and Terminology\u003c\/td\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Bole, Tala or Taal, Theka, Bibhag, Avartan, Tali, Khali, Prakar or Kisme, Kayda, Paltas, Rela, Swatantra Rela, Kayda-Rela, Tihai, Dumdar Tihai, Bedam Tihai, Mohra, Mukhra, Tukra, Paran, Uthan, Sam, Tali, Khali, Bibhag, Peshkar, Chala, Gath, Farmaishi Cheese, Ek Hasti Paran, Chakkardar Paran, Types of Chakkardar Paran, Sadharan Chakkardar Paran, Farmaishi Chakkardar Paran, Kamali Chakkardar Paran, Laggi, Baht, Larhi, Teepally, Chowpalli, Nawhakka, Chhand\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003ctd\u003e The Nomenclature and Parts of the Tabla\u003c\/td\u003e \u003ctd\u003e 51\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 6\u003c\/td\u003e \u003ctd\u003e Tuning the Tabla\u003c\/td\u003e \u003ctd\u003e 58\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 7\u003c\/td\u003e \u003ctd\u003e The Tabla Language (The Basic Strokes \u0026amp; Alphabets)\u003c\/td\u003e \u003ctd\u003e 60\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 8\u003c\/td\u003e \u003ctd\u003e Tabla Gharanas\u003c\/td\u003e \u003ctd\u003e 66\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Delhi Gharana, Lucknow Gharana, Benares Gharana, Punjab Gharana, Farukkhabad Gharana, Ajrara Gharana,\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003ctd\u003e A Short History of Indian Music\u003c\/td\u003e \u003ctd\u003e 80\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003ctd\u003e The Mridangam and the Pakhawaj\u003c\/td\u003e \u003ctd\u003e 87\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 11\u003c\/td\u003e \u003ctd\u003e The Ten Essences of a Rhythm (Tall Ka Dus Praan)\u003c\/td\u003e \u003ctd\u003e 92\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003ctd\u003e Laykari\u003c\/td\u003e \u003ctd\u003e 100\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Thah, Adhgun, Dugun, Teengun, Chowgun, Arh, Kuwarh, Biyarh, Procedures for writing various types of Laykari, To find out the Starting Point of a Tala for different Laykaris, Calculating the Starting Point of a Theka for various Laykaris\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003ctd\u003e Elucidation of 'Tihai' and its Guidelines\u003c\/td\u003e \u003ctd\u003e 111\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Dumdar Tihai, Bedum Tihai, Tihai for 10 Matras, Tihais for 11, 12 and 13 Matras, Tihai for 14 and 15 Matras, Tihai for 4, 5, 6 and 7 Matras, Tihai for 8, 9 and 16 Matras, Tihai for 17 and 18 Matras\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 14\u003c\/td\u003e \u003ctd\u003e Thekas and Description of common Talas\u003c\/td\u003e \u003ctd\u003e 120\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Teen Tal or Trital, Jhaptal, Ektal, Chartal or Choutal, Dadra Tal, Sultal or Sulfaktal, Tewra or Tibra Tal, Deepchandi Tal, Kaharwa Tal, Tilwara Tal, Dhumali Tal, Rupak Tal, Kawali Tal, Khemta Tal, Jhumra Tal,\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Arachartal, Dhamar Tal, Adhdha Taj, Jat Tal, Tappa Tal, Punjabi Tal, Gajajhampa Tal, Matta Tal, Pancham Sawari Tal, Shikhar Tal, Posto Tal, Rudra Tal, Basant Tal, Khumbha Tal, Farodast Tal, \u003ca href=\"\/ar\/article\/lakshmi\"\u003eLakshmi\u003c\/a\u003e Tal, Brahma Tal, Uday Bhan Tal, Bari Sawari Tal\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 15\u003c\/td\u003e \u003ctd\u003e Comparison between Talas having the Same Number of Beats (Matras)\u003c\/td\u003e \u003ctd\u003e 140\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Tewra-Rupak-Posto, Kaharwa-Dhumali-Thumri-Kawali, Jhaptal-Sulfaktal-Jhampa, Rudra-Mani-Kumbha, Ektal-Choutal-Khemta, Jhumra-Arachartal-Dhamar, Foredoest-Deepchandi, Pancham Sawari-Gajajhampa, Teental-Tilwara-Punjabi, Tappa-Jath, Shikhar-\u003ca href=\"\/ar\/article\/vishnu\"\u003eVishnu\u003c\/a\u003e, Matta-Lakshmi\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 16\u003c\/td\u003e \u003ctd\u003e Talas Composed by Rabindranath Tagore (Rabindrik Talas)\u003c\/td\u003e \u003ctd\u003e 148\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 17\u003c\/td\u003e \u003ctd\u003e Thekas for 218 Uncommon Talas\u003c\/td\u003e \u003ctd\u003e 152\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003ctd\u003e Short Notes (Nibandha)\u003c\/td\u003e \u003ctd\u003e 195\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Speed\/Pace and Rhythm in Music (Sangeet Meh Laya Aur Taal), Musical Concerts and Soirees, (Sangeet Sammelan), Selection of Talas (Rhythms) for Tabla Solo Performance, Ways and Means to Increase the Popularity of Indian Classical Music\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 19\u003c\/td\u003e \u003ctd\u003e Forms and Styles of Music\u003c\/td\u003e \u003ctd\u003e 204\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Dhrupad, Dhamar, Kheyal Bada Kheyal, Drut Kheyal, Thumri, Tarana, Tappa, Bhajan, Geet, Lakshan Geet, Hori, Chaturang\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 20\u003c\/td\u003e \u003ctd\u003e Biographies of Great Maestros\u003c\/td\u003e \u003ctd\u003e 210\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Amir Khusro, Tansen, Pandit Vishnu Narayan Bhatkhande, Pandit Vishnu Digambar Paluskar, UstadAhmed Jan Thirakwa, Pandit Kanthe Maharaj, Pandit kishen Maharaj, Pandit Biswanath Bose, Pandit Kumar Bose, Ustad Alla rakha Khan, Ustad Zakir Hussain, Pandit Shankar Ghosh, Pandit Anindo Chatterjee\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 21\u003c\/td\u003e \u003ctd\u003e Afterword\u003c\/td\u003e \u003ctd\u003e 222\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 22\u003c\/td\u003e \u003ctd\u003e Glossary\u003c\/td\u003e \u003ctd\u003e 224\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e \u003cb\u003ePRACTICE\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Teen Taal\u003c\/td\u003e \u003ctd\u003e 237\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Kayada with Paltas (8 Kaydas with Paltas and Tihai), Peshkara with Paltas (2 Peshkaras with Paltas and Tihai), Relas (8 Relas), Simple Tihais (8 Dumdar Tihais, 5 Bedam Tihais) Tukras (14 Tukras), Mukhra or Small Uthans (5 Mukhras), Parans (5 Parans), Sadharan Chakkardar Paran (4 Chakkardar Parans), Farmaishi Chakkardar Paran (3 Chakkardar Parans), Kamali Chakkardar Paran.\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Jhaptal\u003c\/td\u003e \u003ctd\u003e 282\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Prakar or Types, Kayda with Paltas (9 Kaydas with Paltas and Tihai), Mukhra. (4 Mukhras), Mohra. (4 Mohras), Dumdar Tihai (5 Dumdar Tihais), Bedum Tihai (6 Bedum Tihais), Relas (5 Relas), Paran, Farmaishi Chakkardar Paran (2 Chakkardar Parans), Kamali Chakkardar Paran, Tukra. (6 Tukras), Peshkara with Paltas and Tihai\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Ektal\u003c\/td\u003e \u003ctd\u003e 311\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Theka with Prakaar or Types, Kayda with Platas (7 Kaydas with Paltas and Tihai), Mohra (5 Mohras), Mukhra (3 Mukhras), Rela (4 Relas), Tihais. 6 Tihais), Paran (3 Parans), Farmaishi Chakkardar Paran, Tukra (8 Tukras) Gath, Peshkara with Paltas and Tihai\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Rupak Tal\u003c\/td\u003e \u003ctd\u003e 334\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Theka with Prakaar or Types, Kayda (3 Kaydas with Paltas and Tihai), Mukhra (3 Mukhras) Mohra (4 Mohras), Tihai (6 Tihais), Tukra (7 Tukras) Chakkardar Paran\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Kaharwa Tal\u003c\/td\u003e \u003ctd\u003e 346\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Theka, Prakar or Types, Laggi (3 Laggis with Baht and Tihai)\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Dadra Tal\u003c\/td\u003e \u003ctd\u003e 349\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Theka, Prakar or Types, Mukhra, Mohra, Laggi (2 Laggis with Baht), Tukra (2 Tukras) Tihai (6 Tihais)\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e\n\u003ccenter\u003e\u003cb\u003e\u003cu\u003e\u003cfont size=\"5\" color=\"red\"\u003eSample Pages\u003c\/font\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738a.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738b.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738c.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738d.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738e.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738f.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738g.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738h.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738i.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738j.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738k.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738l.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738m.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738n.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738o.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/idi738p.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Occultnthings","offers":[{"title":"Default Title","offer_id":44613017796909,"sku":"IDI738","price":77.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2094\/2117\/products\/idi738.jpg?v=1677706301","url":"https:\/\/occultnthings.com\/ar\/products\/tabla-and-world-of-indian-rhythms-idi738","provider":"Occult-N-Things","version":"1.0","type":"link"}