{"product_id":"karnatic-music-reader-ihl073","title":"Karnatic Music Reader","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eIHL073\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/es\/book-author\/dr%20s%20bhagyalekshmy\" class=\"underlined\" title=\"Dr. S. Bhagyalekshmy\"\u003eDr. S. Bhagyalekshmy\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/es\/book-publisher\/cbh%20publications\" class=\"underlined\" title=\"CBH Publications\"\u003eCBH Publications\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2015\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eISBN:\u003c\/td\u003e \u003ctd\u003e8185381127\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e103\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003ePaperback\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003e\u003c\/td\u003e \u003ctd\u003ea51_books\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e9.5 Inch X 7.0 Inch\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003ccenter\u003e \u003cb\u003eAbout the Author \u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e The present reader in Kamatic music is a systematic introduction of the study of karnatic music. The reader in four parts covers the different musical forms in karnatic music.\u003c\/p\u003e \u003cp\u003e In the first part starting with simple introduction and the history of south Indian music the book ventures into the teaching of fundamentals notes Sarlivarisas janta varisas Alankara gitam svarajathi and jathisvaram. The lessons have been arranged in simple notation.\u003c\/p\u003e \u003cp\u003e The second part covers the various aspects of vamam. The introduction gives a proper evaluation of various types of Varman and a not on different composer. The notations of about 40 different vamam in adi tala ata tala and pada varma have been notated in simple form for easy rendering. The varmans have been selected to represent the best from various composers of karnatic music.\u003c\/p\u003e \u003cp\u003e The third part covers Kirtans. A detailed introduction on Keertanas and various composers have been added. The notation of about 40 popular Kirtans have been given in simple notation. Representative compositions of important composers has been selected.\u003c\/p\u003e \u003cp\u003e The fourth part covers the musical forms like daru Varnam pada, tillanas tans varmas javali ragamilika utsava sampradaya keetanas tirupaugazh kavadi chindu etc. These compositions portray the varied facets of karnatic music all these forms have an introduction about them.\u003c\/p\u003e \u003cp\u003e The complete reader in 4 parts will be a compendium of musical forms of karnatic music. The notations for the compositions have been in simplest form possible so that the student learner can learn them with minimal effort. The selection of compositions have been made to cover representative composers of karnatic music.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003ePreface \u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e About ten years back my father advised me to prepare graded text books in music for the use of students. Consequent on his persistent advice I started preparing my graded lessons in music in Malayalam. These books took shape in the form Karnantaka Sangeetha Pretamala and were completed in six parts covering all the aspects of karnatic music. With the persistent of my well wishers and requests from teaching and student quarters I have planned these series in English.\u003c\/p\u003e \u003cp\u003e In this second series of Karnatic music reader I have tried to present karnatic music lessons in a systematic manner 34 adi tala varnam 14 ata tala varnam and 5 pada varnam. These lessons help in achieving a fundamental base for the learners of karnatic music. The svara notation has been kept as simple as possible so that the learner can study the lessons with the minimal help from his teacher. I have also included a description of the different forms of varnam before each section treating in detail the nuances of each type at the beginning of the chapter so that the students can understand these musical forms. This will also help them in rendering them. It is suggested that the students take the lessons in graded way and karnatic them in a regular way so that they achieve a better knowledge of the fundamentals of karnatic music. Each composition has its own merit in understanding the tala raga etc so that it will be beneficial for the students to obtain proficiency in these aspects. This will put him in good stead in mastering the advanced lessons in karnatic music.\u003c\/p\u003e \u003cp\u003e I have tried to the minimize the number of ragas so that the student is not put to very much technicalities of the raga rendering and its intricacies.\u003c\/p\u003e \u003cp\u003e To a great extent I have been guided by the requirements of the music students of the colleges though this has not restrained me from keeping the paramount interest of the learners and listeners of karnatic music. Though these lessons are complete in its own way it will be helpful for the student to make use of a teacher in learning the fundamentals of the raga tala etc. this will instill in him a confidence in learning karnatic.\u003c\/p\u003e \u003cp\u003e I have planned further graded lessons for the continuous learners of karnatic music in this series. The third second series will comprise of keertans and the fourth in the series will have advanced compositions for the practicing vocalist like Tillana Javeli padas Divynamakirtans Ragamalikas etc.\u003c\/p\u003e \u003cp\u003e I use this opportunity to thank the students and teachers and lovers of music who have extended wholehearted support for my book. Without this continuous encouragement I would not have continued to write. When all is said it is not urban theoretician had the simple unsophisticated rustic village teacher who sustains the art form and saves it from extinction.\u003c\/p\u003e \u003cp\u003e I am thankful to Sri M. Easwaran editor for his continued support in the editing of the manuscript and Smt. M. Ginja proprietor CBH publication for undertaking the publication of this series.\u003c\/p\u003e \u003cp\u003e Lastly I place these series before the learners and lovers of music and ask for their critical comments about this venture and expect their wholehearted support in making this series success.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eContents \u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable width=\"100%\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd width=\"5%\"\u003e \u003c\/td\u003e \u003ctd width=\"20%\"\u003e \u003cb\u003eAdi Tala Varnam\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd width=\"15%\"\u003e \u003c\/td\u003e \u003ctd width=\"50%\"\u003e \u003c\/td\u003e \u003ctd width=\"10%\"\u003e 1-56\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003ctd\u003e Yevari Bodha ni\u003c\/td\u003e \u003ctd\u003e Abhogi\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003ctd\u003e Ninnu Kori\u003c\/td\u003e \u003ctd\u003e Mohanam\u003c\/td\u003e \u003ctd\u003e Ramnad Srinivasa Iyengar\u003c\/td\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 3\u003c\/td\u003e \u003ctd\u003e Jalajaksha\u003c\/td\u003e \u003ctd\u003e Hamsadhvani\u003c\/td\u003e \u003ctd\u003e Manambuchavadi Venkatasubba Iyer\u003c\/td\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003ctd\u003e Ninnu Kori\u003c\/td\u003e \u003ctd\u003e Vasantha\u003c\/td\u003e \u003ctd\u003e Tachur Singaracharya\u003c\/td\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003ctd\u003e Sri Rajamatangi\u003c\/td\u003e \u003ctd\u003e Udayaravichandrika\u003c\/td\u003e \u003ctd\u003e Muthiah Bhagavathar\u003c\/td\u003e \u003ctd\u003e 7\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 6\u003c\/td\u003e \u003ctd\u003e Semi Nee todi\u003c\/td\u003e \u003ctd\u003e Pantuvarali (kamavardhini)\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 7\u003c\/td\u003e \u003ctd\u003e Saami Ninnekori\u003c\/td\u003e \u003ctd\u003e Sankarabharanam\u003c\/td\u003e \u003ctd\u003e Vina Kuppayyar\u003c\/td\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 8\u003c\/td\u003e \u003ctd\u003e Vanajakshiro\u003c\/td\u003e \u003ctd\u003e Kalyani\u003c\/td\u003e \u003ctd\u003e Ramnad Srinivasa Iyengar\u003c\/td\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003ctd\u003e Sarasijanaba\u003c\/td\u003e \u003ctd\u003e Mayamlavagaula\u003c\/td\u003e \u003ctd\u003e Swati Tirunal\u003c\/td\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003ctd\u003e Yeraanaa pai\u003c\/td\u003e \u003ctd\u003e Thodi\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 15\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 11\u003c\/td\u003e \u003ctd\u003e Saami Dayajuda\u003c\/td\u003e \u003ctd\u003e Kedaragaula\u003c\/td\u003e \u003ctd\u003e Tiruvottiyur Tyagayya\u003c\/td\u003e \u003ctd\u003e 17\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003ctd\u003e Sarasuda\u003c\/td\u003e \u003ctd\u003e Saveri\u003c\/td\u003e \u003ctd\u003e Kothavasal Venkatramayyar\u003c\/td\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003ctd\u003e Inda Modi\u003c\/td\u003e \u003ctd\u003e Saranga\u003c\/td\u003e \u003ctd\u003e Tiruvottiyur Tyagayya\u003c\/td\u003e \u003ctd\u003e 20\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 14\u003c\/td\u003e \u003ctd\u003e Karunimpa\u003c\/td\u003e \u003ctd\u003e Sahana\u003c\/td\u003e \u003ctd\u003e tiruvottiyur Tyagayya\u003c\/td\u003e \u003ctd\u003e 22\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 15\u003c\/td\u003e \u003ctd\u003e Yendo Prema\u003c\/td\u003e \u003ctd\u003e Surutti\u003c\/td\u003e \u003ctd\u003e Pallavi Gopalayaar\u003c\/td\u003e \u003ctd\u003e 23\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 16\u003c\/td\u003e \u003ctd\u003e Pagavarri\u003c\/td\u003e \u003ctd\u003e Hamsadhvani\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 25\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 17\u003c\/td\u003e \u003ctd\u003e Intha Schaalamujestie\u003c\/td\u003e \u003ctd\u003e Begada\u003c\/td\u003e \u003ctd\u003e Patnam Subrmonia Iyer\u003c\/td\u003e \u003ctd\u003e 26\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003ctd\u003e Taruni Ninnu\u003c\/td\u003e \u003ctd\u003e kamboji\u003c\/td\u003e \u003ctd\u003e Violin Ponnuswami\u003c\/td\u003e \u003ctd\u003e 28\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 19\u003c\/td\u003e \u003ctd\u003e Intha Chauka\u003c\/td\u003e \u003ctd\u003e Bilahri\u003c\/td\u003e \u003ctd\u003e Veena Kuppayyar\u003c\/td\u003e \u003ctd\u003e 30\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 20\u003c\/td\u003e \u003ctd\u003e Saraguna\u003c\/td\u003e \u003ctd\u003e Madhyamavathi\u003c\/td\u003e \u003ctd\u003e tiruvpttiyur Tyagayya\u003c\/td\u003e \u003ctd\u003e 32\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 21\u003c\/td\u003e \u003ctd\u003e Ninnekoriyunna\u003c\/td\u003e \u003ctd\u003e Kaanada\u003c\/td\u003e \u003ctd\u003e Tiruvpttiyur Tyagayya\u003c\/td\u003e \u003ctd\u003e 33\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 22\u003c\/td\u003e \u003ctd\u003e Chalamelajesiva\u003c\/td\u003e \u003ctd\u003e Darbar\u003c\/td\u003e \u003ctd\u003e Tiruvpttiyur Tyagayya\u003c\/td\u003e \u003ctd\u003e 35\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 23\u003c\/td\u003e \u003ctd\u003e Sumukhai\u003c\/td\u003e \u003ctd\u003e Saraswathi\u003c\/td\u003e \u003ctd\u003e Kesavanantha Bharathi\u003c\/td\u003e \u003ctd\u003e 37\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 24\u003c\/td\u003e \u003ctd\u003e Mahishasuramardini\u003c\/td\u003e \u003ctd\u003e Andolika\u003c\/td\u003e \u003ctd\u003e Muthiah Bhagavatar\u003c\/td\u003e \u003ctd\u003e 38\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 25\u003c\/td\u003e \u003ctd\u003e Sarasijaksha Ninne\u003c\/td\u003e \u003ctd\u003e Nayaki\u003c\/td\u003e \u003ctd\u003e Venkatramana Iyer\u003c\/td\u003e \u003ctd\u003e 40\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 26\u003c\/td\u003e \u003ctd\u003e Palumaaru\u003c\/td\u003e \u003ctd\u003e Devamanohari\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 41\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 27\u003c\/td\u003e \u003ctd\u003e Sarasakshi\u003c\/td\u003e \u003ctd\u003e Kamboji\u003c\/td\u003e \u003ctd\u003e Vina Kupayyar\u003c\/td\u003e \u003ctd\u003e 43\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 28\u003c\/td\u003e \u003ctd\u003e Sarasijanabhamampahi\u003c\/td\u003e \u003ctd\u003e Natta\u003c\/td\u003e \u003ctd\u003e Parameswara Bhagavatar\u003c\/td\u003e \u003ctd\u003e 45\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 29\u003c\/td\u003e \u003ctd\u003e Sarsijamukhiro\u003c\/td\u003e \u003ctd\u003e Arabhi\u003c\/td\u003e \u003ctd\u003e Pallavi Doraswamy Iyer\u003c\/td\u003e \u003ctd\u003e 46\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 30\u003c\/td\u003e \u003ctd\u003e Saami Ninne\u003c\/td\u003e \u003ctd\u003e Sri\u003c\/td\u003e \u003ctd\u003e Karur Devudu Iyer\u003c\/td\u003e \u003ctd\u003e 48\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 31\u003c\/td\u003e \u003ctd\u003e Valachi Vaachi\u003c\/td\u003e \u003ctd\u003e Navaragamalika\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 50\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 32\u003c\/td\u003e \u003ctd\u003e Chelimikorivachyunathi\u003c\/td\u003e \u003ctd\u003e gaula\u003c\/td\u003e \u003ctd\u003e Vina Kuppayyar\u003c\/td\u003e \u003ctd\u003e 52\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 33\u003c\/td\u003e \u003ctd\u003e Tamsimchaka\u003c\/td\u003e \u003ctd\u003e Asaveri\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 53\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 34\u003c\/td\u003e \u003ctd\u003e Vanajaksha\u003c\/td\u003e \u003ctd\u003e Hindusthani Bihag\u003c\/td\u003e \u003ctd\u003e Vina Kuppayyar\u003c\/td\u003e \u003ctd\u003e 55\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e \u003cb\u003eAdi Tala Varnas\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e 57-85\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003ctd\u003e Chalamelajese Vura\u003c\/td\u003e \u003ctd\u003e Sankarabharanam\u003c\/td\u003e \u003ctd\u003e Swati Tirunal\u003c\/td\u003e \u003ctd\u003e 58\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003ctd\u003e Vanajakshi Ninne\u003c\/td\u003e \u003ctd\u003e Kalyani\u003c\/td\u003e \u003ctd\u003e Pallavi Gopalayyar\u003c\/td\u003e \u003ctd\u003e 60\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 3\u003c\/td\u003e \u003ctd\u003e Vanajaksha nine\u003c\/td\u003e \u003ctd\u003e Ritigaula\u003c\/td\u003e \u003ctd\u003e Vina Kuppayyar\u003c\/td\u003e \u003ctd\u003e 62\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003ctd\u003e Sarasijanabha\u003c\/td\u003e \u003ctd\u003e Kambhoji\u003c\/td\u003e \u003ctd\u003e Vian Swati Tirunal\u003c\/td\u003e \u003ctd\u003e 65\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003ctd\u003e Viriboni\u003c\/td\u003e \u003ctd\u003e Bharivi12\u003c\/td\u003e \u003ctd\u003e Vian Kuppayyar\u003c\/td\u003e \u003ctd\u003e 67\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 6\u003c\/td\u003e \u003ctd\u003e Viriboni\u003c\/td\u003e \u003ctd\u003e Kaanada\u003c\/td\u003e \u003ctd\u003e Ramnad Srnivassa Iyenger\u003c\/td\u003e \u003ctd\u003e 70\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 7\u003c\/td\u003e \u003ctd\u003e Kanakangi Nee\u003c\/td\u003e \u003ctd\u003e Thodi\u003c\/td\u003e \u003ctd\u003e Pallavi Gopalayyar\u003c\/td\u003e \u003ctd\u003e 72\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 8\u003c\/td\u003e \u003ctd\u003e Cheliyaapaidaya\u003c\/td\u003e \u003ctd\u003e Pantuvarali\u003c\/td\u003e \u003ctd\u003e Vina Kuppayyar\u003c\/td\u003e \u003ctd\u003e 74\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003ctd\u003e Saminipai\u003c\/td\u003e \u003ctd\u003e Anandabhairavi\u003c\/td\u003e \u003ctd\u003e Vina Kuppayyar\u003c\/td\u003e \u003ctd\u003e 76\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003ctd\u003e Ikanela\u003c\/td\u003e \u003ctd\u003e Poornachandrika\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 79\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 11\u003c\/td\u003e \u003ctd\u003e Saaminivegane\u003c\/td\u003e \u003ctd\u003e Nattakutinji\u003c\/td\u003e \u003ctd\u003e Patnam Subramonia Iyer\u003c\/td\u003e \u003ctd\u003e 81\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003ctd\u003e Manomohana\u003c\/td\u003e \u003ctd\u003e Mohanam\u003c\/td\u003e \u003ctd\u003e Muthiah Bhagavatar\u003c\/td\u003e \u003ctd\u003e 83\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e \u003cb\u003ePadavarna\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e 86-104\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003ctd\u003e Chalamelajesura\u003c\/td\u003e \u003ctd\u003e Nattakurinji\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e 87\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003ctd\u003e Saava Maarusha\u003c\/td\u003e \u003ctd\u003e Kamas\u003c\/td\u003e \u003ctd\u003e Swati Tirunal\u003c\/td\u003e \u003ctd\u003e 90\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 3\u003c\/td\u003e \u003ctd\u003e Daanisammajendra\u003c\/td\u003e \u003ctd\u003e Thodi\u003c\/td\u003e \u003ctd\u003e Swati Tirunal\u003c\/td\u003e \u003ctd\u003e 94\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003ctd\u003e Saadhu Vibhaata\u003c\/td\u003e \u003ctd\u003e Bhupala\u003c\/td\u003e \u003ctd\u003e Swati Tirunal\u003c\/td\u003e \u003ctd\u003e 98\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003ctd\u003e Samiyai Vara\u003c\/td\u003e \u003ctd\u003e Poorvikalyani\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e 101\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e\n\u003ccenter\u003e\u003cb\u003e\u003cu\u003e\u003cfont size=\"5\" color=\"red\"\u003eSample Pages\u003c\/font\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2019\/ihl073a.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2019\/ihl073b.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg 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