{"product_id":"laws-and-practice-of-sanskrit-drama-old-and-rare-book-nai171","title":"The Laws and Practice of Sanskrit Drama (An Old and Rare Book)","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eNAI171\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/es\/book-author\/surendra%20nath%20shastri\" class=\"underlined\" title=\"Surendra Nath Shastri\"\u003eSurendra Nath Shastri\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/es\/book-publisher\/chowkhamba%20sanskrit%20series%20office\" class=\"underlined\" title=\"Chowkhamba Sanskrit Series Office\"\u003eChowkhamba Sanskrit Series Office\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e1961\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e602\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003eHardcover\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e9.0 inch x 5.5 inch\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWeight\u003c\/td\u003e \u003ctd rel=\"product-weight\"\u003e700 gm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003cmeta content=\"text\/html; charset=windows-1252\" http-equiv=\"Content-Type\"\u003e \u003cmeta content=\"Word.Document\" name=\"ProgId\"\u003e \u003cmeta content=\"Microsoft Word 12\" name=\"Generator\"\u003e \u003cmeta content=\"Microsoft Word 12\" name=\"Originator\"\u003e \u003clink href=\"the%20laws%20and%20Practice_files\/filelist.xml\" 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semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Normal\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"heading 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 3\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 4\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 5\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 6\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 7\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 8\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 9\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 3\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 4\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 5\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 6\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 7\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 8\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"39\" name=\"toc 9\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"35\" qformat=\"true\" name=\"caption\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"10\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Title\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"1\" name=\"Default Paragraph Font\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"11\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Subtitle\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"22\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Strong\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"20\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"Emphasis\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"59\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Table Grid\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Placeholder Text\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"1\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"No Spacing\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"69\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 3\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"70\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Dark List\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" unhidewhenused=\"false\" name=\"Revision\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"34\" semihidden=\"false\" unhidewhenused=\"false\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"29\" semihidden=\"false\" 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unhidewhenused=\"false\" name=\"Dark List Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"71\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"72\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful List Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"73\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"60\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Shading Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"61\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light List Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"62\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Light Grid Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"63\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"64\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"65\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"66\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium List 2 Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"67\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 1 Accent 2\"\u003e\u003c\/lsdexception\u003e \u003clsdexception locked=\"false\" priority=\"68\" semihidden=\"false\" unhidewhenused=\"false\" name=\"Medium Grid 2 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\u003c!--[if gte mso 10]\u003e \u003cstyle\u003e \/* Style Definitions *\/ table.MsoNormalTable {mso-style-name:\"Table Normal\"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:\"\"; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:\"Times New Roman\",\"serif\";} \u003c\/style\u003e \u003c![endif]--\u003e\u003c!--[if gte mso 9]\u003e\u003cxml\u003e \u003cshapedefaults v:ext=\"edit\" spidmax=\"6146\"\u003e\u003c\/shapedefaults\u003e \u003c\/xml\u003e\u003c![endif]--\u003e\u003c!--[if gte mso 9]\u003e\u003cxml\u003e \u003cshapelayout v:ext=\"edit\"\u003e \u003cidmap v:ext=\"edit\" data=\"1\"\u003e\u003c\/idmap\u003e \u003c\/shapelayout\u003e\u003c\/xml\u003e\u003c![endif]--\u003e\u003cdiv class=\"WordSection1\"\u003e \u003cp align=\"center\" class=\"Style\" style=\"text-align:center\"\u003e \u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family: \"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003eAbout the Book\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cb style=\"mso-bidi-font-weight:normal\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003eThe Laws \u003cspan class=\"GramE\"\u003eAnd\u003c\/span\u003e Practice \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003eOf \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 7.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003eSanskrit Drama. Volume one, by Dr. S. N. Shastri presents a comprehension study of the canons of Sanskrit dramaturgy enunciated by \u003c\/span\u003e\u003cspan class=\"SpellE\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003eBharata\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003e \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt; font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003eand his followers, \u003cspan class=\"GramE\"\u003eIt\u003c\/span\u003e illustrates principles of dramatic criticism by citing popular examples \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003efrom \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt; font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003eSanskrit plays extant today; and makes available \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\"'\u003eto \u003cspan style=\"mso-bidi-font-style:italic\"\u003emodern \u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size: 13.0pt;mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003escholars \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003ea comparative study of the essentials of appreciation of the mimetic art of ancient Hindus. It also \"elucidates the development of critical standards of judgment in regard to \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003ethe \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt; font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003evarious patterns of Sanskrit plays evolved by canonists belonging to different ages and holding, divergent views. It attempts to interpret the notions of different canonists and critics in the light of the practice of master playwrights, arid mow an integrated study \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 5.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003eof the\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003e different schools of Sanskrit dramaturgy with a view', inculcating among modem readers a spirit of appreciating Sanskrit plays as dramatic compositions distinct from other specimens of Sanskrit poetry. The author’s insight into a valuable aspect of literary studies makes\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\"'\u003e \u003cspan style=\"mso-bidi-font-style:italic\"\u003ebook a\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:5.0pt;font-family:\"Times New Roman\",\"serif\"'\u003e \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003ework of great \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003escholarship.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp align=\"center\" class=\"Style\" style=\"text-align:center\"\u003e \u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family: \"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp align=\"center\" class=\"Style\" style=\"text-align:center\"\u003e \u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family: \"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003ePreface\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eThe idea of this thesis developed from the fact that the of Dramaturgy discussed by the law-makers like \u003cspan class=\"SpellE\"\u003eBharata\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eDhananjaya\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eRamacandra\u003c\/span\u003e and \u003cspan class=\"SpellE\"\u003eGunacandra\u003c\/span\u003e, \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:11.5pt;font-family:\"Times New Roman\",\"serif\"'\u003eSa\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003era- \u003cspan class=\"SpellE\"\u003edatanaya\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eVidyanatha\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eSinga\u003c\/span\u003e \u003cspan class=\"SpellE\"\u003eBhupala\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eVisvanatha\u003c\/span\u003e and \u003cspan class=\"SpellE\"\u003eSagaranndin\u003c\/span\u003e have not been so far fully analysed and compared in anyone ingle contribution. \u003cspan class=\"SpellE\"\u003eMankad's\u003c\/span\u003e Types of Sanskrit - Drama deals with mere definitions of the \u003c\/span\u003e\u003cspan class=\"SpellE\"\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:8.0pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003eRupakas\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 8.0pt;font-family:\"Times New Roman\",\"serif\"'\u003e- \u003c\/span\u003e\u003cspan style='font-size: 13.0pt;mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eas given by the \u003cspan class=\"SpellE\"\u003edramaturgists\u003c\/span\u003e, and lays more stress on the \u003c\/span\u003e\u003cspan class=\"SpellE\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 9.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003eNrtta\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003e-plays, \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003etheir species and evolution. \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:9.5pt; font-family:\"Times New Roman\",\"serif\"'\u003eBesides, \u003c\/span\u003e\u003cspan style='font-size: 13.0pt;mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eno attempt is made there to apply these rules to any particular specimens and to examine the practice of the playwrights in this behalf. The other work dealing the subject is \u003cspan class=\"SpellE\"\u003eKulkarni's\u003c\/span\u003e Sanskrit Drama and Dramatist. \u003cspan class=\"GramE\"\u003ewhich\u003c\/span\u003e has dealt with later \u003cspan class=\"SpellE\"\u003edramaturgists\u003c\/span\u003e only. His method of application of these rules with regard to the Dramas is only in a summary form, e. g. in \u003cspan class=\"SpellE\"\u003eKalidasa's\u003c\/span\u003e \u003cspan class=\"SpellE\"\u003eSakuntala\u003c\/span\u003e he would not make mention of the type of the \u003cspan class=\"SpellE\"\u003eP\u003cspan style=\"mso-bidi-font-size: 10.5pt;mso-bidi-font-style:italic\"\u003erastavana\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003e, \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003ethe requirements of Induction, the \u003cspan class=\"SpellE\"\u003eJunctural\u003c\/span\u003e sub-divisions, the dramatic embellishments and so on. Of the modern histories of the Sanskrit literature the most important work dealing with the subject is \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\"'\u003eSANSKRIT DRAMA by\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.0pt; font-family:\"Times New Roman\",\"serif\"'\u003e Dr. A. B. Keith. He has, no doubt, elaborated certain points like the age of the playwrights, their style and language, and given synopsis of the plays with some out- standing characteristics of the drama, but the aim of the present work is not only the elaboration but also a synthetic survey of the whole matter, which has not been so treated by Dr. Keith, The Table of Contents will show that an attempt is made here for the first time to take a \u003cspan class=\"SpellE\"\u003esynthetical\u003c\/span\u003e view of the entire subject and to examine the application of the canons in a methodical way pointing out the omissions and- the new additions to the laws observed in the dramatic literature under review. Apart from this little originality, the analysis done here is expected to present a critical review of the dramaturgical laws and their general application from the very beginning of the Art until it became almost standardised by the master playwrights in Sanskrit.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eThe age of the \u003cspan class=\"SpellE\"\u003edramaturgists\u003c\/span\u003e and the playwrights is rather an intriguing point. This is not the main theme of this thesis to discuss in detail whether the dramatic laws could have developed in the absence of any dramatic literature. On the other hand, all well-established rules and methods followed and recognised by the earlier play- wrights became the laws of conduct for all subsequent writers. However, the historians have assigned the following dates to different dramaturgical works:\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eThe date of \u003cspan class=\"SpellE\"\u003eBhasa\u003c\/span\u003e, as is recognised by all the historians, has to be put between the third century B. C. and the third century A. \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:8.5pt;font-family:\"Times New Roman\",\"serif\"'\u003eD. \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.0pt;font-family: \"Times New Roman\",\"serif\"'\u003eIf the date of \u003cspan class=\"SpellE\"\u003eBharata\u003c\/span\u003e be accepted during the third century A. D., the plays of \u003cspan class=\"SpellE\"\u003eBhasa\u003c\/span\u003e must have developed without the guidance of \u003cspan class=\"SpellE\"\u003eBharata\u003c\/span\u003e. Whether there were any \u003cspan class=\"SpellE\"\u003edramaturgists\u003c\/span\u003e before the third century B. C. like \u003cspan class=\"SpellE\"\u003eKohala\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eKrsasva\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eMatrgupta\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eSubandhu\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eAsmakutta\u003c\/span\u003e, \u003cspan class=\"SpellE\"\u003eNakhakutta\u003c\/span\u003e and others is Dot quite certain; but in view of the fact that literature may develop independently of any law-books on Grammar, Poetics and Dramaturgy, the absence, of any \u003cspan class=\"SpellE\"\u003edramaturgists\u003c\/span\u003e does not preclude the probability of any regular and uniform development of a pattern by any particular author. Therefore even in the absence of any such laws, \u003cspan class=\"SpellE\"\u003eBhasa\u003c\/span\u003e could have, in a methodical and uniform manner, written his plays which present diverse patterns of dramatic art. So far as \u003cspan class=\"SpellE\"\u003eKalidasa\u003c\/span\u003e is concerned, if his time is taken to be the fifth Century A. D., it cannot be overlooked that he was guided to a large extent by the \u003cspan class=\"SpellE\"\u003eNatya-sastra\u003c\/span\u003e of \u003cspan class=\"SpellE\"\u003eBharata\u003c\/span\u003e. This expectation is fulfilled to a great extent as is borne out by the elaborate examination of his plays done in Book II of the present work.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style=\"font-size:13.0pt; mso-bidi-font-size:10.0pt\"\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eThe consideration of the later \u003cspan class=\"SpellE\"\u003edramaturgists\u003c\/span\u003e after the time of \u003cspan class=\"SpellE\"\u003eKalidasa\u003c\/span\u003e is necessitated for the comparison of \u003cspan class=\"SpellE\"\u003eBharata's\u003c\/span\u003e Laws rather than the application of the later ones.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style=\"font-size:13.0pt; mso-bidi-font-size:10.0pt\"\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eIt is, for this reason, that the present work is divided into two parts: Book I, which is -the main theme, deals with a critical examination of the laws of Drama from the earliest time of \u003cspan class=\"SpellE\"\u003eBharata\u003c\/span\u003e to the latest development of different schools irrespective of their application to the works written by the earlier playwrights. Book II, Part I, deals with a detailed examination of a set of uniform laws as applied to the dramas of \u003cspan class=\"SpellE\"\u003eKalidasa\u003c\/span\u003e; and the second Part of the Book U proposes to examine the plays of \u003cspan class=\"SpellE\"\u003eBhasa\u003c\/span\u003e and predecessors of \u003cspan class=\"SpellE\"\u003eKalidasa\u003c\/span\u003e. The application to the works of later playwrights has to be deferred for the present, partly because of their close adherence' to the model adopted by the standard earlier authors and partly because the examination of all the existing dramas in a single book is impracticable. All the same, the application of the laws of dramas, though limited at present to the works of \u003cspan class=\"SpellE\"\u003eKalidasa\u003c\/span\u003e and \u003cspan class=\"SpellE\"\u003eBhasa\u003c\/span\u003e, amply testifies to the fact that their scheme has greatly influenced the later play- wrights in construction of their plays.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eCharts appended hereto, it may be hoped, will facilitate a clearer grasp of the detailed ramifications of a stem than the pen-pictures attempted in the descriptive portion. A Thesaurus of the dramaturgical terms added as a fruitful appendix will show the different uses of the same term by the canonists in different context, which, otherwise, may have caused confusion in understanding the subject critically. A Glossary of Technical terms given as Appendix C will serve the average reader.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style=\"font-size:13.0pt; mso-bidi-font-size:10.0pt\"\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eThe Bibliography is necessarily a brief one, for the subject is only incidentally referred to by a small number of modern authors. It is, therefore, added only at the end.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style=\"font-size:13.0pt; mso-bidi-font-size:10.0pt\"\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eWith some diffidence, therefore, it is hoped, in conclusion, that this attempt may show the way how the plays could be critically studied by the modern annotators and research students of the fascinating subject of Sanskrit Dramas and Dramaturgy. It \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:9.5pt;font-family: \"Times New Roman\",\"serif\"'\u003eis \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003efurther hoped that the method of studying the dramas in the light of the demonstration made in Book II will facilitate and advance the intelligent and the scientific study of the dramas \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003eas plays \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003erather than pieces of general literature in view of the systematic approach towards the interpretation of the dramatic theories done in the First Book. For the most of the existing commentaries on Sanskrit dramas appear to have missed the point, and deprived the students of \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 7.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003eunderstanding \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:7.5pt;font-family:\"Times New Roman\",\"serif\"'\u003ethe \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:8.5pt;font-family:\"Times New Roman\",\"serif\"'\u003edramas in their \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.0pt; font-family:\"Times New Roman\",\"serif\"'\u003eproper perspective. It is needless to elaborate the point that the Drama which is the highest development of literature, has a special aspect of its own; and the students of Sanskrit Drama would be decidedly losers \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 11.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eif \u003c\/span\u003e\u003cspan style='font-size: 13.0pt;mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003ethey cannot make the distinction between the aspects of drama and of other branches of poetry, such as the \u003c\/span\u003e\u003cspan class=\"SpellE\"\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003eMahakavyas\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 9.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003e, \u003cspan class=\"SpellE\"\u003eKathas\u003c\/span\u003e \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eand the like.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style=\"font-size:13.0pt; mso-bidi-font-size:10.0pt\"\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eIf this expectation is fulfilled, this labour of over a decade of years in consultation with the best available resources may be deemed successful.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eWith this hope the following is added by way of an outline introduction to the subject of Sanskrit poetry, and as an elaboration of the topics enunciated above:\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style=\"font-size:13.0pt; mso-bidi-font-size:10.0pt\"\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003ePoetry is one of the finest arts and the rarest too; for the poet not only carves the bust of his fable from popular stories and well-known incidents, but paints the best portraits of social conditions and infuses the music of life in his art, and above all, he is the very architect of his Universe. Poetry has, in essence, a beauty of imagination, yet has a happy combination of realism and idealism with an ultimate purpose of giving an uncommon delight to an appreciative mind. All Poetry is indeed charming, yet the wonder in it varies greatly both in respect of degrees and quality. \u003cspan class=\"GramE\"\u003eFor it appeals more when it is enjoyed not only through mental contact but also through various senses of perception.\u003c\/span\u003e In this respect the scenic art of a poet excels the epic one, inasmuch as the former is the imitation of situations represented in actuality, and invokes the sympathy of the spectator who, like the actor, becomes in unison with one who is represented, by virtue of total identity both in purpose and person. Sympathy, which is so essential for enjoyment of beauty, is awakened not only by the audible poetry which the \u003cspan class=\"SpellE\"\u003erepresentator\u003c\/span\u003e there reads, but by seeing the beautiful scenes and hearing music as well. \u003cspan class=\"GramE\"\u003e\" In\u003c\/span\u003e the realm of Poetry, dramatic works excel the readable ones\" is a true compliment to the mimetic art; for, it not only sublimates the inner self but feasts the perceptive sense also with a rich menu of sweet music and tasteful delineation of characters.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style=\"font-size:13.0pt; mso-bidi-font-size:10.0pt\"\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003cp class=\"Style\" style=\"text-align:justify\"\u003e \u003cspan style='font-size:13.0pt; mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eSince lack of propriety \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:8.5pt; font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style:italic'\u003e(\u003cspan class=\"SpellE\"\u003eaucitya\u003c\/span\u003e) \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eand system \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003e(\u003cspan class=\"SpellE\"\u003eriti\u003c\/span\u003e) \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eis the one enemy which undoes all, art, the least tolerant of this opposing element is the delicate art of representation which demands orderliness first, and everything else only next to it. For purposes of securing freely the charms of orderliness, the free art of flying on the \u003cspan class=\"SpellE\"\u003epinions\u003c\/span\u003e of imaginative genius has to put on self-chosen fetters of realism and principles of presentation, technically known as the \u003c\/span\u003e\u003cspan class=\"SpellE\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003emis\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003e-en-scene. \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size: 10.0pt;font-family:\"Times New Roman\",\"serif\"'\u003eThat is why the artist has to limit his scope to well-known facts and popular characters and can only scarcely transgress the established course of events. This creativeness of the artist is not synonymous with arbitrariness, which would only be a weak foundation for his work of art lacking sanction in the popular appeal. His mastery, in fact, li.es in mustering all forces of wonder \u003cspan style=\"mso-bidi-font-style:italic\"\u003e( \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"SpellE\"\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\"; mso-bidi-font-style:italic'\u003ecamatkara\u003c\/span\u003e\u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003e) \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.0pt; font-family:\"Times New Roman\",\"serif\"'\u003eand wedding facts unto them so as to produce a systematic work by author's creative faculty. The problem is still greater with a dramatic artist who \u003c\/span\u003e\u003cspan style='font-size:13.0pt; mso-bidi-font-size:9.5pt;font-family:\"Times New Roman\",\"serif\";mso-bidi-font-style: italic'\u003eimitates \u003c\/span\u003e\u003cspan style='font-size:13.0pt;mso-bidi-font-size:10.0pt; font-family:\"Times New Roman\",\"serif\"'\u003ereality and has the task of concentrating 'the confused panorama of life into a single, coherent, striking and natural picture.\u003cp\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/p\u003e \u003c\/div\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171b.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171c.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171d.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171e.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171f.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171g.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171h.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171i.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171j.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171k.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171l.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171m.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171n.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171o.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nai171p.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Occultnthings","offers":[{"title":"Default Title","offer_id":44632938971437,"sku":"NAI171","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2094\/2117\/products\/nai171.jpg?v=1677858635","url":"https:\/\/occultnthings.com\/es\/products\/laws-and-practice-of-sanskrit-drama-old-and-rare-book-nai171","provider":"Occult-N-Things","version":"1.0","type":"link"}