{"product_id":"subhasini-dr-saroja-bhate-felicitation-volume-nac411","title":"Subhasini (Dr. Saroja Bhate Felicitation Volume)","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eNAC411\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/es\/book-author\/g%20u%20thite\" class=\"underlined\" title=\"G.U. Thite\"\u003eG.U. Thite\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/es\/book-publisher\/vaidika%20samshodhana%20mandala%20pune\" class=\"underlined\" title=\"Vaidika Samshodhana Mandala, Pune\"\u003eVaidika Samshodhana Mandala, Pune\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2002\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e383\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003ePaperback\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e8.5 Inch X 5.5 Inch\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWeight\u003c\/td\u003e \u003ctd rel=\"product-weight\"\u003e470 gm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003ccenter\u003e \u003cb\u003eBack of the Book \u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e This felicitation volume prepared in honour of Prof. Dr. Saroja Bhate (Ex-Head of the Department of \u003ca href=\"\/es\/book\/Hindu\/sanskrit\"\u003eSanskrit\u003c\/a\u003e and Prakrit languages, University of Pune) is a befitting academic tribute from her students, friends and admirers. It contains articles on various aspects of Indology like Vedic literature, Nirukta, Vedic ritual, Paninian grammar, Epics, Sanskrit Poetics, Vedanta, Buddhism, Nyaya, \u003ca href=\"\/es\/book\/Philosophy\/mimamsa\"\u003eMimamsa\u003c\/a\u003e, Classical Sanskrit literature, Yoga, Linguistics etc. Internationally reputed scholars, from United States of America, United Kingdom, Switzerland, Japan and India have contributed their papers to this volume, which has thus become a fruitful exercise in research. Every serious Indological scholar will find some material of his field in it.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003ePreface \u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e We have great pleasure to acknowledge the generous financial support from scholars, friends and students of Prof. Dr. Saroja Bhate towards the publication of this felicitation volume.\u003c\/p\u003e \u003cp\u003e We are also grateful to all the scholars who have contributed their articles in this volume.\u003c\/p\u003e \u003cp\u003e We thank Shri. Kishor Khurjekar and his associates for all their efficiency and assistance in the printing of this felicitation volume.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eFrom Book \u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e I remember I came to know Prof. Dr. Bhate when I was a school girl and she was a college student, Miss Saroja Chitari or just Sarojatai to us. I was a student of Bal Mukund Sanskrit Vidyalaya of Tilak Maharashtra Vidyapeeth \u0026amp; studying for its Sanskrit examinations. Sarojatai was quite senior to us. Because of her scholarly achievements she had already become a legend. We used to tell each other how intelligent she was how she had bagged many prizes of S. S. C Board and that she was the winner of the coveted ‘Jagannath Shankarshet’ scholarship. Later I came to know that she was among the five students who won the maximum number of prizes of the S. S. C Board. Naturally we, the junior students, used to watch her from distance and with respectful fear.\u003c\/p\u003e \u003cp\u003e But another facet of her personality was revealed in those days only. Annual social gathering of Tilak Maharashtra Vidyapeeth was a special event for us. Every one of us wanted to participate in the cultural events, may it be singing, dancing, acting, drama reading etc. Sarojatai used to direct such small plays and dancing events. She sincerely guided us for elocution competitions. Though she was senior to us she mixed amongst us whole heartedly. At that time we came to know her dancing and acting talents. She was very much interested in fine arts especially dance \u0026amp; music. Her sweet and sonorous voice was so nice that it was an unwritten law in Tilak Vidyapeeth in those days that beginning of any ceremony must start with Saraswati-stavana sung by Sarojatai. I still remember her playing the role of Padmavati in Swapnavasavadatta while she was studying in Fergusson College. She enacted rote in Bhagavadajjukiyam a Sanskrit farce which won a prize in state level competitions. Many Sanskritists still remember her role of Indirabai, the mother of Sharada in the Sanskrit rendering of the traditional Marathi musical drama in which she also sang some songs.\u003c\/p\u003e \u003cp\u003e She never lost her first rank throughout her graduate and postgraduate education. Winning awards became a part of her life and continued in her formal college education also and won various prizes, awards, certificates of Merit, Trophies, Caps. They are so many in number that I think she herself must have stopped counting them!\u003c\/p\u003e \u003cp\u003e Special mention, however, may be made of an elocution competition. It was an All India Competition known as Akhila Bharatiya Sastra Pratiyogita at Varanasi in 1964. The subjects for the competition were anounced just 24 hours before. Every participant was expected to speak for seven minutes in Sanskrit. Her speech was so good and impressive that naturally she won the Gold medal for Vyakarana. However it was a great surprize when the head of the department of Vyakarana anounced one more Gold medal on his personal behalf to her as Sarojatai was the first and the only female candidate to participate in the competition. This is a unique example of winning Two Gold medals for a single performance.\u003c\/p\u003e \u003cp\u003e In 1998 the Aadishakti Award was anounced for her by a private trust in Pune. In the following year she was honoured with the best teacher award by University of Pune and in year 2000, she was declared as the first recipient of Vedavyasa Sanskrit Award for Life time devotion to Sanskrit teaching and research by U. G. C. This award raised her to the status of National Scholar. It was indeed a matter of great joy to see a close friend becomming a celebrity by receiving felicitation and awards.\u003c\/p\u003e \u003cp\u003e Her helping nature is yet another facet of her personality. While working in the department of Sanskrit and Prakrit languages in Pune University she has helped countless students of M.A., M.Phil, and Ph. D. research scholars to obtain jobs, scholarships etc. No needy student has returned from her office empty-handed. She was so well-known for her helping nature that a few years back in an annual social gathering of Pune University Sanskrit Department she received a ‘fishpond’ - employment bureau Sanskrit Department!\u003c\/p\u003e \u003cp\u003e Prof. Bhate’s long standing career as head of the Department has moulded her personality as a perfect administrator. Her Personality is enriched with toplevel administrative experience At present she is associated with quite a few organize in different capacities. Chair person of the managing committee of Vaidik Samshodhan Mandal, President of Pradnya Pathashala Mandal, Wai, General Secretary of All India Oriental Conference, Executive committee member of Bhandarkar Oriental Research Institute are just few to mention.\u003c\/p\u003e \u003cp\u003e Some years back I had an opportunity to work as co-ordinator of text book bureau of S. S. C. Board. Dr. Bhate was Chair person of the editorial board. At that time I was able to observe \u0026amp; experience her enthusiasm, ability \u0026amp; capacity to work tirelessly for hours together. Now also she continues to work with similar enthusiasm, ability and capacity. Prof. Bhate was invited as Visiting Professor at various institutes in countries like Switzerland, U. K., Germany Japan etc. And here I remember a verse from Sisupala vadha.\u003c\/p\u003e \u003cp\u003e I have been closely watching Mrs. Bhate since many years as fullfledged hospitable housewife, a loving mother, a loving daughter, daughter in law performing diverse functions etc. with the same efficiency and skill.\u003c\/p\u003e \u003cp\u003e The most important facet of her personality is gratitude towards her teachers. She wholeheartedly acknowledges the training she received from teachers like Pt V. B. Bhagwat, Dr. R. N. Dandekar, Dr. S. D. Joshi, Dr. Palsule and many others. The teachers are also very much proud of her.\u003c\/p\u003e \u003cp\u003e Few months back I interviewed her for All India Radio. At the end of the interview I asked her about her future plan. I was expecting to hear about some grand academic project, about writing a book, giving lectures etc. But I was shocked by her reply! In her answer she revealed yet another facet of her multifaceted personality. She said that she was very fond of Pet animals, especially cats. She has a compassionate heart for stray dogs. She further said that she would have been a more suitable person to work in orphanages and stray animal houses rather than being an academician.\u003c\/p\u003e \u003cp\u003e The important reason of her lovable personality in my opinion is that, inspite of these virtues she is not an extremist. Her approach to any problem is always to consider all sides and she finds solution acceptable to all. I have observed many such incidences in her case and every time the verse from …Raghuvamsa comes to my mind.\u003c\/p\u003e \u003cp\u003e I sincerely pray to God for long, happy and healthy life for Dr. Saroja Bhate.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eContents\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable width=\"100%\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd width=\"10%\"\u003e 1\u003c\/td\u003e \u003ctd width=\"80%\"\u003e Kausika-Sutra and the Sakhas of the Atharvaveda\u003c\/td\u003e \u003ctd width=\"10%\"\u003e 1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003ctd\u003e The Role of Variant Readings in the Badarayana's Brarnhasutra Mss\u003c\/td\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 3\u003c\/td\u003e \u003ctd\u003e MiQra and Vedic Usas (The phenomena of Light)\u003c\/td\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003ctd\u003e भृर्तहरीमतेन अर्थस्वरूपम\u003c\/td\u003e \u003ctd\u003e 24\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003ctd\u003e A Note on the role of Laksana in the interpretation of vedic sentences\u003c\/td\u003e \u003ctd\u003e 31\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 6\u003c\/td\u003e \u003ctd\u003e The Kuntapa Suktas : two versions\u003c\/td\u003e \u003ctd\u003e 39\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 7\u003c\/td\u003e \u003ctd\u003e Yaska and the sentence: the beginning of Sabdabodha?\u003c\/td\u003e \u003ctd\u003e 44\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 8\u003c\/td\u003e \u003ctd\u003e Bhartrhari : A Challenge to the Navya Nyaya Theory of Linguistic Understanding\u003c\/td\u003e \u003ctd\u003e 63\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003ctd\u003e . Deshpande Dilemmas of Reconstruction: Fading Memories and emerging Identities\u003c\/td\u003e \u003ctd\u003e 87\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003ctd\u003e Saradatanaya's views on the objective aspect of Rasa\u003c\/td\u003e \u003ctd\u003e 100\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 11\u003c\/td\u003e \u003ctd\u003e Some features of the language and style of Pancatantra\u003c\/td\u003e \u003ctd\u003e 107\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003ctd\u003e A Discrepancy in the Bhasya of Bhatta-Bhaskara,in the Taittiriya Brahmana\u003c\/td\u003e \u003ctd\u003e 110\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003ctd\u003e Concept of Beauty in Indian Poetics\u003c\/td\u003e \u003ctd\u003e 113\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 14\u003c\/td\u003e \u003ctd\u003e Upadesa and adesa in the Mahaabhasya\u003c\/td\u003e \u003ctd\u003e 123\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 15\u003c\/td\u003e \u003ctd\u003e The Meaning of the Verb-Ending Suffixes\u003c\/td\u003e \u003ctd\u003e 161\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 16\u003c\/td\u003e \u003ctd\u003e Playing with words : nighantavah and the prolem of multiple explanations in Yaska's Nirukta\u003c\/td\u003e \u003ctd\u003e 174\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 17\u003c\/td\u003e \u003ctd\u003e Health Through Yoga and Ayurveda\u003c\/td\u003e \u003ctd\u003e 187\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003ctd\u003e अग्न्याधोने उद्गातृवरणं कर्तव्यमुताहो न?\u003c\/td\u003e \u003ctd\u003e 191\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 19\u003c\/td\u003e \u003ctd\u003e Arthya in Veda\u003c\/td\u003e \u003ctd\u003e 195\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 20\u003c\/td\u003e \u003ctd\u003e Intradisciplinary Aspect in the Sanskrit Studies\u003c\/td\u003e \u003ctd\u003e 197\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 21\u003c\/td\u003e \u003ctd\u003e Manuscript evidence on the issue of the authorship of the Kasikavrtti\u003c\/td\u003e \u003ctd\u003e 208\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 22\u003c\/td\u003e \u003ctd\u003e Vedic Aramati and A vestan Armaiti : A Comparison\u003c\/td\u003e \u003ctd\u003e 217\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 23\u003c\/td\u003e \u003ctd\u003e Vedicldeal\u003c\/td\u003e \u003ctd\u003e 226\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 24\u003c\/td\u003e \u003ctd\u003e संस्कृत कृते नूतन महायणम् - छात्राभिमुखं शिक्षणम्\u003c\/td\u003e \u003ctd\u003e 234\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 25\u003c\/td\u003e \u003ctd\u003e Crow, Dogs, A Stick And The Bowels of The Body : An IIIustrative Verse From The Dhvanyalokalocana of Abhinavagupta Compared to a\u003c\/td\u003e \u003ctd\u003e 237\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 26\u003c\/td\u003e \u003ctd\u003e एकविशंतितमे शतके उपनिषदाम औचित्यम्\u003c\/td\u003e \u003ctd\u003e 245\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 27\u003c\/td\u003e \u003ctd\u003e The \"Bhugolavicara \" : A Cosmological Manuscript from Jaipur\u003c\/td\u003e \u003ctd\u003e 250\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 28\u003c\/td\u003e \u003ctd\u003e Critical Study of Obscure Passages in\u003c\/td\u003e \u003ctd\u003e 264\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 29\u003c\/td\u003e \u003ctd\u003e अग्निहोत्रप्रायशिचितेषु देवतानां स्थानम्\u003c\/td\u003e \u003ctd\u003e 272\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 30\u003c\/td\u003e \u003ctd\u003e कालिदास आणि महाभारत: काही भाषिक साम्यस्थले\u003c\/td\u003e \u003ctd\u003e 276\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 31\u003c\/td\u003e \u003ctd\u003e श्रौतप्रयोगेषु दृश्यमानानि परिवर्तननानि\u003c\/td\u003e \u003ctd\u003e 285\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 32\u003c\/td\u003e \u003ctd\u003e Variants of Verbal Forms In the First Kanda of the Paippalada Samhita\u003c\/td\u003e \u003ctd\u003e 292\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 33\u003c\/td\u003e \u003ctd\u003e Uses of Plants in the Sarnskara Ceremonies Zoroastrians and Hindus\u003c\/td\u003e \u003ctd\u003e 299\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 34\u003c\/td\u003e \u003ctd\u003e The Honey and the Precipice\u003c\/td\u003e \u003ctd\u003e 316\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 35\u003c\/td\u003e \u003ctd\u003e Metaphors in The Ten Major Upanisads\u003c\/td\u003e \u003ctd\u003e 325\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 36\u003c\/td\u003e \u003ctd\u003e Facets of Veda-Anschauung in India\u003c\/td\u003e \u003ctd\u003e 333\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 37\u003c\/td\u003e \u003ctd\u003e An Examination of Mathuranathas Clarification of Vyaghralaksana of vyapti\u003c\/td\u003e \u003ctd\u003e 340\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 38\u003c\/td\u003e \u003ctd\u003e Translation of Madhyamakahrdayakarika III. 182-191\u003c\/td\u003e \u003ctd\u003e 349\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e List of Authors\u003c\/td\u003e \u003ctd\u003e 356\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ccenter\u003e\u003cb\u003e\u003cu\u003e\u003cfont size=\"5\" color=\"RED\"\u003eSample Pages\u003c\/font\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nac411b.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nac411c.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nac411d.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nac411e.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nac411f.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nac411g.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nac411h.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg 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