SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
Book Specification
Item Code: | IDD706 |
Author: | Alain Danielou |
Publisher: | Indica Books, Varanasi |
Language: | English |
Edition: | 2003 |
ISBN: | 9788186569337 |
Pages: | 224 |
Cover: | Paperback |
Other Details | 8.5" X 5.5" |
Weight | 290 gm |
Book Description
What is modal music? Why did the ancient consider music the key of sciences, related to metaphysics? Is there a relation between Indian music, jazz, cante jondo, Gregorian chant? How should we understand African music? What are the relations between music and religion? And between music and magic, or therapy?
This collection of texts, covering a wide range of subject, concerns the amateur music lover as well as the professional musician. The renowned musicologist Alain Danielou here explains clearly and simply the profound concepts relating music to its essential roots.
Excerpts from Reviews
"Tradition is inevitably the basis on which innovations can develop. Change, if it results in the lost of tradition, is more often that not a loss rather than a gain."
"People who loss their language and their music cease to exist as a cultural and national entity and have no further contribution to make to world culture."
Alain Danielou
"Today, 'music from far afield' has become a reference for many specialists and connoisseurs. These treasures have inspired many contemporary composers. We owe all this to Alain Danielou. Today the existence all over the world, and especially in the Orient, of music, which is as classical as that of Bach and Mozart, is universally acknowledged: we owe that fact to Alain Danielou's farsightedness and unstinting efforts."
Noriko Aikawa
Director of the Intangible Heritage section of UNESCO
| The Mleccha's Exercise Books | 9 |
| Alain Danielou and the Musical Renaissance | 11 |
I
| THE ORIGINS OF THE MUSICAL LANGUAGES | |
1 | The Origins of Sacred Music | 15 |
2 | Symbolism in the Musical Theories of the Oriented | 27 |
3 | The Magic of Sound | 35 |
4 | Magic and Pop Music | 40 |
II
| TRADITION AND MODERNITY | |
5 | Tradition and Innovation | 43 |
6 | Model Music and Harmonic Music | 47 |
7 | Can Harmony be Introduced in Indian Music? | 56 |
8 | Harmonic Aggression | 62 |
9 | The Musical Cultures of the East in the Face of Western Hegemony | 69 |
10 | Musical Nationalism and Universal Music | 78 |
11 | The Musical Language of Black Africa | 82 |
12 | The Impact of Writing and Recording on Musical Creativity | 90 |
13 | Music in the Modern World | 93 |
14 | Music and Meditation | 101 |
III
| THE SOURCE OF FUTURE | |
15 | Music, an International Language? | 107 |
16 | Popular Religious Music in the Twentieth Century | 118 |
17 | The Training of Professional Musicians | 131 |
18 | Improvisation | 136 |
19 | Basic Elements in the Vocabulary of Sound | 138 |
20 | Comparative Musicology: Principles, Problems, Methods | 159 |
21 | Categories of Intervals of Sruti-Jatis | 165 |
22 | Elements of Formation of Scales | 171 |
23 | Mantra Principles of Language and Music According to the Hindu Mythology | 182 |
24 | Publicaition of Sanskrit Treatises | 199 |
| The Semantic by Christian Braut | 202 |
| Alain Danielou A Brief Biography by Jacques Cloarec | 207 |
| Alain Danielou's Musical and English Bibliography | 213 |
| Discography | 219 |
| Origin of the text forming this book | 223 |