{"product_id":"ethics-erotics-and-aesthetics-nao656","title":"Ethics, Erotics and Aesthetics","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eNAO656\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/fr\/book-author\/ed%20prafulla%20k%20mishra\" class=\"underlined\" title=\"Ed. Prafulla K. Mishra\"\u003eEd. Prafulla K. Mishra\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/fr\/book-publisher\/pratibha%20prakashan\" class=\"underlined\" title=\"Pratibha Prakashan\"\u003ePratibha Prakashan\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2004\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eISBN:\u003c\/td\u003e \u003ctd\u003e8177020498\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e242\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003eHardcover\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e9.0 inch X 5.5 inch\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWeight\u003c\/td\u003e \u003ctd rel=\"product-weight\"\u003e440 gm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003ccenter\u003e \u003cb\u003eAbout the Book\u003c\/b\u003e\n\u003c\/center\u003e \u003cp style=\"text-align: justify;\"\u003e The Book Ethics, Erotic’s and Aesthetics are three important aspects of literature, which are inter connected. The balance of erotic descriptions can only become aesthetic when ethics is adhered to.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e This volume is a collection of papers on these three aspects separately and taken together. Some of the very important aspects of literary criticism are selected in this book for the reference of scholars in those fields.\u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eAbout the Author\u003c\/b\u003e\n\u003c\/center\u003e \u003cp style=\"text-align: justify;\"\u003e Prafulla K. Mishra (b. 1954-Puri) A well-known scholar and a poet of our time. A prolific writer in Sanskrit, English and Oriya; his mystic poems search a new way of creating modern taste for Sanskrit Poetry. He writes on Indian Aesthetics, Vedic studies and Sri Aurobindo studies. As the pioneer of Prachi valley Cultural Academic and Historical Research Society, his exploration of Orissan Cultural History is note-worthy.\u003c\/p\u003e \u003ccenter\u003e \u003cp\u003e \u003cb\u003ePreface\u003c\/b\u003e\u003c\/p\u003e \u003c\/center\u003e \u003cp style=\"text-align: justify;\"\u003e When my revered guru, Prof Krishna Chandra Acharya, proposed me to work on poetics of Orissa, I did my best to justify the contribution of Orissa to Sanskrit Poetics. It was probably Gods desire that I should work on the principles of literary criticism. I was pondering over the importance of poetics through ages and was always in search of the contemporary relevance of it. What should be the present status of literary criticism especially of Sanskrit? They are again searched out in a deeper sense in my later work \"Post-Mamma tan Sanskrit Poetics from Kashmir to Kalinga\". The poets used to write observing the heavenly beauty of the Himalayan range and authors like Utpaladeva, Bhatta Tauta, Lolita, Sankuka and Abhinavagupta -could think of the principle of literature in different perspective of Kashmiri Saivism, the cognizance of Gold in one self. I was beholden by the tradition and found its continuity in eastern seacoast after the devastation of Kashmir Empire.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The principles of literary criticism are also an important aspect of human knowledge in the western part of the world that starts from no less than Aristotle. The principles have witnessed enough changes. But the core of literature remains unchanged. The new jargons are coined, became obsolete and replaced by a new one. Since the task of the rhetoricians is to find out a scientific explanation for the literature, every time they try to revise their earlier view. The nature of literature is subjective, volatile and delicate. To put them under any four quarters of principles don't hold good. But the critics always run after the literature and becomes nearer to him. Most probably it is the appreciator who can only understands the poet but not the poet. Abhinavagupta holds this view of connoisseur being the nearest one of the poet. As a poet sees the entire world as his own, similarly the connoisseur sees, like a Kalidasian dictum, kamisvatam pas'yati. Finally, they after a lot of search, find it comfortable to follow the foot prints of their fore fathers, because they find them everywhere. Be it eastern or the western, it has the same sprit. For which they search for new jargons. But while searching they add new dimensions to the principles of literary criticism. Scholars are tired of the ever-changing definition of poetry and the coinage of new terminology. Sanskrit rhetoricians are quite conservative in using new words but very carefully, they move forward with the works of the predecessors. For this reason commentaries are many times more than the text. Needless to say, the commentators only open new vistas on the theory of rasa. Similar is the case with the other important topics of poetry. There is no end to the development of the domain of knowledge. Time and again scholars used to come and point out new ways of thinking.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e I hope this would cater some of the needs of the hour in unfolding the Truth, for, that is the end of the quest.\u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eContents\u003c\/b\u003e\n\u003c\/center\u003e \u003ctable width=\"100%\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd width=\"5%\"\u003e \u003c\/td\u003e \u003ctd width=\"90%\"\u003e Preface \u003c\/td\u003e \u003ctd width=\"5%\"\u003e (v)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Acknowledgement\u003c\/td\u003e \u003ctd\u003e (vii)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Editorial\u003c\/td\u003e \u003ctd\u003e (ix)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e The Contributors\u003c\/td\u003e \u003ctd\u003e (xiv)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003ctd\u003e Elements of Asthetics in Sanskrit Poetics-S.P. Singh\u003c\/td\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003ctd\u003e Sanskrit Poetics and Aesthetics-Goparaju Rama\u003c\/td\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 3\u003c\/td\u003e \u003ctd\u003e The Indivisible Aesthetic Triad-P.M. Nayak\u003c\/td\u003e \u003ctd\u003e 14\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003ctd\u003e Aesthetics and Erotics- Adikanda Sahoo\u003c\/td\u003e \u003ctd\u003e 20\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003ctd\u003e Aesthetics and Poetic Expression-Pushpendra Kumar\u003c\/td\u003e \u003ctd\u003e 28\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 6\u003c\/td\u003e \u003ctd\u003e Indian Aesthetic : An Introctioduction-Usha Satyavrat\u003c\/td\u003e \u003ctd\u003e 40\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 7\u003c\/td\u003e \u003ctd\u003e A Comparative Analysis of Eastern and Western Poetics-G. Parthasaradhi Rao\u003c\/td\u003e \u003ctd\u003e 44\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 8\u003c\/td\u003e \u003ctd\u003e The Making of a Poet-Satyavrat Shastry\u003c\/td\u003e \u003ctd\u003e 51\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003ctd\u003e The Socio-Political Impact on Sanskrit Literary Criticism-Pratap Bandopadhyaya\u003c\/td\u003e \u003ctd\u003e 60\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003ctd\u003e References of Sanskrit Poetics in Modern Literary Criticism-P.R. Ray\u003c\/td\u003e \u003ctd\u003e 67\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 11\u003c\/td\u003e \u003ctd\u003e Ethics vis-à-vis- Erotics in Sanskrit Poetics-Prafulla K.Mishra \u003c\/td\u003e \u003ctd\u003e 91\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003ctd\u003e Comparative Poetics: Indian and Western-P.G.RAMA Rama Rao\u003c\/td\u003e \u003ctd\u003e 104\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003ctd\u003e Representation As Denotation : Arguments From Acarya Sankuka and Nelson Goodman-A.C. Sukla\u003c\/td\u003e \u003ctd\u003e 110\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 14\u003c\/td\u003e \u003ctd\u003e Saundaryam-Alamkarah-Anita Karan\u003c\/td\u003e \u003ctd\u003e 126\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 15\u003c\/td\u003e \u003ctd\u003e The Society Reflected in the Sixth Chapter of Sahitya Darpana-Amrita Pal\u003c\/td\u003e \u003ctd\u003e 134\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 16\u003c\/td\u003e \u003ctd\u003e Aesthetic Aspect of Nari Geetam-R.S. Saini\u003c\/td\u003e \u003ctd\u003e 141\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 17\u003c\/td\u003e \u003ctd\u003e The Aesthetic Importance of Employing the Concept of Vada in Mahakavyas (with reference to that between Nala and Damyanti in the Naisadhiyacaritam- Aruna Ranjan Mishra\u003c\/td\u003e \u003ctd\u003e 148\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003ctd\u003e Influence of Sanskrit Poetics on Oriya Literature-K.B. Tripathi\u003c\/td\u003e \u003ctd\u003e 159\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 19\u003c\/td\u003e \u003ctd\u003e Sanskrit Poetics and Oriya Poetical Tradition : An Aesthetic Approach-Narendranath Misra\u003c\/td\u003e \u003ctd\u003e 169\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 20\u003c\/td\u003e \u003ctd\u003e Influence of Sanskrit Poetics on Modern Bengali Literature-Rabindra B.Barua\u003c\/td\u003e \u003ctd\u003e 176\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 21\u003c\/td\u003e \u003ctd\u003e Impact of Sanskrit Poetics on Medieval Oriya Literature-B.Rath\u003c\/td\u003e \u003ctd\u003e 190\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 22\u003c\/td\u003e \u003ctd\u003e Yasobhusana Tradition : A New Trend of Sanskrit Poetics-Prafulla K. Mishra \u003c\/td\u003e \u003ctd\u003e 196\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 23\u003c\/td\u003e \u003ctd\u003e Indian Aesthetics: and Kamasastra-Prafulla K.Mishra\u003c\/td\u003e \u003ctd\u003e 214\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ccenter\u003e \u003cp\u003e \u003cb\u003e\u003cu\u003e\u003cfont color=\"red\" size=\"5\"\u003eSample Pages\u003c\/font\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e \u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656a.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656b.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656c.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656d.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656e.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656f.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656g.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/nao656h.jpg\"\u003e\n\u003c\/center\u003e\n\u003c\/div\u003e","brand":"Occultnthings","offers":[{"title":"Default Title","offer_id":44623321727277,"sku":"NAO656","price":30.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2094\/2117\/products\/nao656.jpg?v=1677794452","url":"https:\/\/occultnthings.com\/fr\/products\/ethics-erotics-and-aesthetics-nao656","provider":"Occult-N-Things","version":"1.0","type":"link"}