{"product_id":"folk-arts-of-west-bengal-and-artist-community-nak079","title":"Folk Arts of West Bengal and The Artist Community","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eNAK079\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/fr\/book-author\/tarapada%20santra\" class=\"underlined\" title=\"Tarapada Santra\"\u003eTarapada Santra\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/fr\/book-publisher\/niyogi%20books\" class=\"underlined\" title=\"Niyogi Books\"\u003eNiyogi Books\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2011\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eISBN:\u003c\/td\u003e \u003ctd\u003e9788189738952\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e264 (Throughout B\/W Illustrations)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003eHardcover\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e9.0 inch x 7.5 inch\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWeight\u003c\/td\u003e \u003ctd rel=\"product-weight\"\u003e620 gm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003ccenter\u003e \u003cb\u003eAbout the Book\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e Rahul Bengal has always been a treasure trove of folk art in diverse from which found expression in almost every conceivable item of Village life in earlier days, starting from clay built houses and corn-bins to folk painting, kantha embroidery on patched cotton, alpona floor painting, hand woven sitting mats, hand-fans, dolls, terracotta horses, masks worn in folk dances and even moulds for making sweets. What made these items unique was the use of inexpensive and easily available ingredients, which the creative passion of the rural artisans transformed into exquisite objects of art.\u003c\/p\u003e \u003cp\u003e In this book, Tarapada Santra delves into the intricacies of the creative pattern of folk arts of Bengal, providing on overview of the vast array of art forms and analysing how regional influences and political changes where reflected in the creative styles of the artisans, who braved innumerable hardships to pursue their trade for generations and made significant contributions to the onward progress of rural society.\u003c\/p\u003e \u003cp\u003e This first ever English translation of Tarapada Santra's work carries the flavour and essence of the original Bengali text and introduces the reader to rural lifestyle of Bengal and its many traditional forms of folk arts – which are bornd to draw the interest of researchers and art lovers all over the world.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eAbout the Author\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e Born in an obscure village of West Bengal, tarapada Santra struggled against acute poverty and stringent social constraints all his life to be recognised as an authority on the folk arts of his state. Through his exceptional talent, determination and untiring diligence, he evolved a unique system of field research after spending years in studying the lifestyle of people of different districts of west Bengal, their history, culture, occupation and festivals and the many objects which they produced with simple ingredients for beautifying their homes and serving their day to day needs. He recorded his findings in twenty one books, ten of which were published during the last two years of his life, which he lay in a hospital bed, knowing that death was not far off and anxious that his life's work might remain undisclosed in the end.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eIntroduction\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e The diversity of Ingredients used in the folk art of Bengal reflects the colourful splendour of the secular life of her people. This art not only reveals the nature and many customs of rural life and the diverse livelihoods of the rural society, but also helps us to identify a deep and meaningful expression of social significance. What is manifest from the ingredients used in the folk arts of Bengal is the adoption of Items which are most easily obtainable, such as clay, old cloth and cotton threads. Added to this is colour prepared by local process at nominal costs. It is in this simple background that we find a clay-based culture of the people of all sections, both high and low, which had come to exist – a culture which was centred around reforms and blind faith and yet succeeded in spreading happiness in the set lives of the people.\u003c\/p\u003e \u003cp\u003e Those who were the creators – the artisans of this industry – had to put in their hard labour and strive against the pangs of hunger to keep alive the traditions handed down by their forefathers, while they also tried to maintain an onward progress of their art. Even today, we can see their struggling pursuit in thatched huts at every corner of rural Bengal. Sadly, these village crafts, their innovative charm and the skill of the craftsmen had failed to attract the proud pundits, who were acknowledged as the sole authority on fine arts and culture at one time. The many qualities of the folk art of Bengal were recognised for the first time by three of her eminent sons, Dineshchandra Sen, Abanindranath Tagore and Gurusaday Dutta. It was through their sincere and untiring efforts that the significance and true value of this simple and yet grossly neglected chapter was brought to light, and the folk art of Bengal was accorded its befitting status. What had been initiated as an enter prose for individual collections was later laid out for public display for the first time at the Ashutosh Museum. This was made possible through the commendable efforts of Calcutta University, which set up a large collection of carefully selected items of folk art from all over the state. With the passage of time, folk art has now become one of the cultural heritage of this state.\u003c\/p\u003e \u003cp\u003e Rabindranath had once said, A country is created by her people; the country is not an inert mass of soil, but is alive and conscious; if her people can express themselves then only shall the country find expression. It is true that a country finds expression through the many creations or her people. And it is only by stretching our eyes towards our rural life, which reflects the conscious spirit of Bengal, that we can come to learn about the creative expressions of the people of this state through the splendid diversity of their folk arts folk sons, folk music and folk dances. But the ambit of Bengal's cultural expression is so extensive that it cannot be fully described in this brief volume. All that has been attempted here is to present in this brief volume. All that has been attempted here is to present an introductory description.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eContents\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable width=\"100%\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003e A few thoughts\u003c\/td\u003e \u003ctd\u003e 11\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Tarapada Santra – A life Sketch\u003c\/td\u003e \u003ctd\u003e 15\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Introduction\u003c\/td\u003e \u003ctd\u003e 23\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eArt of House Making\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Clay – built houses\u003c\/td\u003e \u003ctd\u003e 25\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Corn – bins\u003c\/td\u003e \u003ctd\u003e 27\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eFolk painting\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Wall painting\u003c\/td\u003e \u003ctd\u003e 29\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Rolled pata (painting)\u003c\/td\u003e \u003ctd\u003e 33\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Square pata\u003c\/td\u003e \u003ctd\u003e 38\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Painting on the Background of a deity\u003c\/td\u003e \u003ctd\u003e 43\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Paintings on chariots\u003c\/td\u003e \u003ctd\u003e 45\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Cards displaying the incarnations of Vishnu\u003c\/td\u003e \u003ctd\u003e 46\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Painted plaques used as covers of ancient manuscripts\u003c\/td\u003e \u003ctd\u003e 48\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e An ancient manuscript with paintings from the Ramayana\u003c\/td\u003e \u003ctd\u003e 50\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Painting on shallow earthen plates\u003c\/td\u003e \u003ctd\u003e 51\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Alpona (paintings on floor with rice paste)\u003c\/td\u003e \u003ctd\u003e 54\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Paintings on low wooden seats and winnowing trays\u003c\/td\u003e \u003ctd\u003e 56\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003ePaintings engraved on earthen vessels\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Manasa ghot (earthen pitcher symbolising Goddess Manasa)\u003c\/td\u003e \u003ctd\u003e 57\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Painted urn – shaped pot\u003c\/td\u003e \u003ctd\u003e 58\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Engraved decoration on pitchers and pots\u003c\/td\u003e \u003ctd\u003e 59\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Eyo sara (painted earthen vessel used in weddings)\u003c\/td\u003e \u003ctd\u003e 59\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eArt on household items\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Kantha\u003c\/td\u003e \u003ctd\u003e 67\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Rice bowl, betel – box, nutcracker, kohi – compact, comb, Vermillion box\u003c\/td\u003e \u003ctd\u003e 69\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Hand fan\u003c\/td\u003e \u003ctd\u003e 70\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Hanging loops of strings\u003c\/td\u003e \u003ctd\u003e 72\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Four bowls held by a single handle\u003c\/td\u003e \u003ctd\u003e 72\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Decorated sitting mats\u003c\/td\u003e \u003ctd\u003e 73\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Artwork with small conches\u003c\/td\u003e \u003ctd\u003e 73\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Designs with paper cuttings wooden moulds for preparing sweets: chandrapuli and amsatta\u003c\/td\u003e \u003ctd\u003e 74\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Wodden moulds for preparing sweets: chandrapuli and amsatta\u003c\/td\u003e \u003ctd\u003e 74\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eDoll making\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Wooden dolls\u003c\/td\u003e \u003ctd\u003e 80\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Dolls made by the painters' community\u003c\/td\u003e \u003ctd\u003e 86\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Coloured dolls\u003c\/td\u003e \u003ctd\u003e 90\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Dolls produced by the potter's community\u003c\/td\u003e \u003ctd\u003e 92\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Wheeled dolls\u003c\/td\u003e \u003ctd\u003e 99\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Dolls made of shellac\u003c\/td\u003e \u003ctd\u003e 104\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Hand –driven dancing dolls\u003c\/td\u003e \u003ctd\u003e 110\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Palm – leaf dolls\u003c\/td\u003e \u003ctd\u003e 116\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eArtistry with sponge – wood\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e 117\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003ePotter's art related to rituals\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Manasa ghot and Manasa chali\u003c\/td\u003e \u003ctd\u003e 125\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Terracotta horses and elephants: different traditions and styles\u003c\/td\u003e \u003ctd\u003e 127\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Duldul horse\u003c\/td\u003e \u003ctd\u003e 139\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Terracotta tulsi mancha\u003c\/td\u003e \u003ctd\u003e 140\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Diwali doll\u003c\/td\u003e \u003ctd\u003e 148\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Tusu khola\u003c\/td\u003e \u003ctd\u003e 151\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Bara thakur\u003c\/td\u003e \u003ctd\u003e 152\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e The lakshmi ghot and the Ganesh ghot\u003c\/td\u003e \u003ctd\u003e 154\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eThe art of mask – making for regional folk dances\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Chhou mask\u003c\/td\u003e \u003ctd\u003e 157\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Gambhira mask\u003c\/td\u003e \u003ctd\u003e 162\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Mukha Kheil or Mokha or Mukha Khela mask\u003c\/td\u003e \u003ctd\u003e 163\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eWorks of art related to the Lakshmi – basket by the Dhokra blacksmith community\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e 165\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003cb\u003eAppendix\u003c\/b\u003e\n\u003c\/td\u003e \u003ctd\u003e \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Symbols and motifs of folk art\u003c\/td\u003e \u003ctd\u003e 171\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Clay – built houses of Howrah District\u003c\/td\u003e \u003ctd\u003e 175\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Granary and corn – bin\u003c\/td\u003e \u003ctd\u003e 183\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e The Patuas of West Bengal: social changes\u003c\/td\u003e \u003ctd\u003e 189\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Mass representation on the many demands of the patua community\u003c\/td\u003e \u003ctd\u003e 199\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Patas based on folk tales of Bengal\u003c\/td\u003e \u003ctd\u003e 201\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Art of painting in Bengal: search for painters of plaques used as covers of ancient manuscripts\u003c\/td\u003e \u003ctd\u003e 207\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Multi – coloured manuscript of Mahishadal related to folk painting\u003c\/td\u003e \u003ctd\u003e 219\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Bengal's folk art: Wooden dolls from Natungram to kalighat\u003c\/td\u003e \u003ctd\u003e 229\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e The process of making clay dolls\u003c\/td\u003e \u003ctd\u003e 237\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e A list of dolls made b potters of Majilpur (South 24 Paraganas District)\u003c\/td\u003e \u003ctd\u003e 241\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Banak, colour of clay art: ingredients and process\u003c\/td\u003e \u003ctd\u003e 243\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Durga Puja festival: A source of livelihood for countless artists and artisans\u003c\/td\u003e \u003ctd\u003e 251\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e Acknowledgement\u003c\/td\u003e \u003ctd\u003e 257\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ccenter\u003e \u003cb\u003e\u003cu\u003e\u003cfont color=\"RED\" size=\"5\"\u003eSample Pages\u003c\/font\u003e\u003c\/u\u003e\u003c\/b\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079b.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079c.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079d.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079e.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079f.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079g.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079h.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079i.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079j.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nak079k.jpg\"\u003e\n\u003c\/center\u003e \u003cbr\u003e 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