Ganamrutha Keerthanamalika- With Notaion (Set of 10 Volumes)

Ganamrutha Keerthanamalika- With Notaion (Set of 10 Volumes)

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Book Specification

Item Code: UAE224
Author: A. S. Panchapakesa Iyer
Publisher: Ganamurtha Prachuram, Chennai
Language: English
Edition: 2016
Pages: 993 (10 B/W Illustrations)
Cover: PAPERBACK
Other Details 9.50 X 7.50 inch
Weight 1.56 kg

Book Description

Preface

Ganamrutha Keerthanamalika is the third in the series of books for music students the two earlier Publications being Ganamrutha Bodini and Ganamrutha Varnamalika. This book consists of 27 compositions of Sri Purandaradasa, Sri Thiyagaraja, Sri Muthuswamy Dikshithar, Sri Syama Sastrigal, Sri Ramaswamysivan, Sri Gopalakrishna Barathi and Arunachalakavi besides Thiruppavai Tiruppugazh, Thillana and Swarajathi.

In order to learn these compositions easily each count of the tala is appropriately fitted with four swaras which required space and hyphens between each group of swaras, to easily understand the method of singing their combinations. I hope this book will prove useful to the learners and lovers of Karnatic music.

Foreword

Prior to this book, I had published Ganamrutha Bodini, Ganamrutha Varnamalika, Pancharathna Ganamrutham, Navagraha Ganamrutham, Purandara Ganamrutham, Karnataka Sangeetha Sasthram, Ganamrutha Keertthana malika (Part-I). This book Ganamrutha Keertthana malika (Part-II) contains 26 krithees by various composers. I trust this book will be useful to the music world.

Preface

Vol-III

This book consists of 25 compositions of Thiyaraja, Deekshithar, Syama Sastrigal, patnam Subramania iyer, Meesu Krishna iyer, Kshethragnya, Dharmapuri Subbarayar, Thiruvottriyur Thiyaga iyer, Ramalinga Swamy, Gopalakrishna Bharathi, Sree Vatsa, and Arunagirinadar.

In order to learn these compositions easily, each count of the thala is appropriately fitted with four swaras, which required space, and hyphens between each group of swaras, to easily understand the method of singing their compositions. I hope this book will prove useful to the learners and lovers of Carnatic music.

Vol-IV

Ganamrutha Keerthana Malika Part IV in the series of books for music students follows the earlier publications.

This book consists of 25 compositions of Sri Purandaradasar, Sri Thiagaraja Swami, Sri Muthuswami Dheekshithar, Sri Syama Sastri, Patnam Subrahmania Iyer, Ramnad Sreenivasa Iyengar, Kavingyar Sri. N.S. Chidambaram and Arunagirinathar.

In order to learn these compositions easily each count of the thala is appropriately fitted with four swaras which required space, and hyphens between each group of swaras, to easily understand the method of singing their combinations.

I hope this book will prove useful to the learners and lovers of Karnatic Music.

Vol-V

Ganamrutha Keerthana Malika Part V in the series of books for music students follows the earlier publications.

This book consists of 25 compositions of Sri Thiagaraja Swami, Sri. Muthuswami Dheekshithar, Sri Syama Sastri, Sri Patnam Subrahmania lyer, Kavingyar Sri N.S. Chidambaram, Sri Arunagirinathar, Sri D. Krishna Swamy lyengar, Sri Anantha dasar and other vageyakaras.

In order to learn these compositions easily each count of the thala is appropriately fitted with four swaras which required space, and hyphens between each group of swaras, to easily understand the method of singing their combinations.

I hope this book will prove useful to the learners and lovers of Karnatic Music.

Vol-VI

Ganamrutha Keerthana Malika Part VI in the series of books for music students follows the earlier publications.

This book consists of 25 compositions of Sri Thiagaraja Swamigal, Sri. Muthuswami Dheekshithar, Sri Syama Sastrigal and other vageyakaras.

In order to learn these compositions easily each count of the thala is appropriately fitted with four swaras which required space, and hyphens between each group of swaras, to easily understand the method of singing their combinations.

I hope this book will prove useful to the learners and lovers of Karnatic Music.

Vol-VII

Ganamrutha Keerthana Malika Part VII in the series of books for music students follows the earlier publications.

This book consists of 25 compositions of Sri Thiagaraja Swamigal, Sri. Muthuswami Dheekshithar, Sri Syama Sastrigal and other vageyakaras.

In order to learn these compositions easily each count of the thala is appropriately fitted with four swaras which required space, and hyphens between each group of swaras, to easily understand the method of singing their combinations.

I hope this book will prove useful to the learners and lovers of Karnatic Music.

Vol-VIII

Ganamrutha Keerthana Malika Part VIII in the series of books for music students follows the earlier publications.

This book consists of 25 compositions of Sri Thiagaraja Swamigal, Sri. Muthuswami Dheekshithar, Sri Syama Sastrigal and other vageyakaras.

In order to learn these compositions easily each count of the thala is appropriately fitted with four swaras which required space, and hyphens between each group of swaras, to easily understand the method of singing their combinations.

I hope this book will prove useful to the learners and lovers of Karnatic Music.

Vol-IX

Ganamrutha Keerthana Malika Part IX in the series of books for music students follows the earlier publications.

This book consists of 25 compositions of Sri Thiagaraja Swamigal, Sri. Muthuswami Dheekshithar, Sri Syama Sastrigal and other vageyakaras.

In order to learn these compositions easily each count of the thala is appropriately fitted with four swaras which required space, and hyphens between each group of swaras, to easily understand the method of singing their combinations.

I hope this book will prove useful to the learners and lovers of Karnatic Music.

Vol-X

Ganamrutha Keerthana Malika Part X in the series of books for music students follows the earlier publications.

This book consists of 25 compositions of Sri Thiagaraja Swamigal, Sri. Muthuswami Dheekshithar, Sri Syama Sastrigal and other vageyakaras.

In order to learn these compositions easily each count of the thala is appropriately fitted with four swaras which required space, and hyphens between each group of swaras, to easily understand the method of singing their combinations.

I hope this book will prove useful to the learners and lovers of Karnatic Music.

**Contents and Sample Pages**
































































































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