{"product_id":"stories-of-vikramaditya-simhasana-dwatrimsika-ihl512","title":"Stories of Vikramaditya Simhasana Dwatrimsika","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eIHL512\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/it\/book-author\/v%20a%20k%20aiyer\" class=\"underlined\" title=\"V.A.K. Aiyer\"\u003eV.A.K. Aiyer\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/it\/book-publisher\/bharatiya%20vidya%20bhavan\" class=\"underlined\" title=\"Bharatiya Vidya Bhavan\"\u003eBharatiya Vidya Bhavan\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2019\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eISBN:\u003c\/td\u003e \u003ctd\u003e9788172764128\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e388\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003ePaperback\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003e\u003c\/td\u003e \u003ctd\u003ea55_books\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e8.4 inch X 5.5 inch\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003cb\u003eKulapati’s Preface\u003c\/b\u003e\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The Bharatiya Vidya Bhavan - that Institute of Indian Culture in Mumbai — needed a Book University, a series of books which, if read, would serve the purpose of providing higher education. Particular emphasis, however, was to be put on such literature as revealed the deeper impulsions of India. As a first step, it was decided to bring out in English l00 books, 50 of which were to be taken in hand almost at once.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e It is our intention to publish the books we select not only in English, but also in the following Indian languages: Hindi, Bengali, Gujarati, Marathi, Tamil, Telugu, Kannada and Malayalam.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e This scheme, involving the publication of 900 volumes, requires ample funds and an all-India organization. The Bhavan is exerting its utmost to supply- them.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The objectives for which the Bhavan stands are the reintegration of the Indian culture in the light of modern knowledge and to suit our present day needs and the resuscitation of its fundamental values in their pristine vigour.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e Let me make our goal more explicit: We seek the dignity of man, which necessarily implies the creation of social conditions which would allow him freedom to evolve along the lines of his own temperament and capacities: we seek the harmony of individual efforts and social relations, not in any makeshift way, but within the framework of the Moral Order; we seek the creative art of life, by the alchemy of which human limitations are progressively transmuted, so that man may become the instrument of God, and is able to see Him in all and all in Him.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The world, we feel, is too much with us. Nothing would uplift or inspire us so much as the beauty and aspiration which such books can teach\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e In this series, therefore, the literature of India, ancient and. modern, will be published in a form easily accessible to all. Books in other literatures of the world, if they illustrate the principles we stand- for, will also be included.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e This common pool of literature, it is hoped, will enable the reader, eastern or western, to understand and appreciate currents of world thought, as also the movements of the mind in India, which, though they flow through different linguistic channels, have a common urge and aspiration.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e Fittingly, the Book University’s first venture is the \u003ca href=\"\/it\/book\/Hindu\/mahabharata\"\u003eMahabharata\u003c\/a\u003e, summarised by one of the greatest living Indians, C. Rajagopalachari; the second work is on a section of it, the Gita, by H. V. Divatia, an eminent jurist and a student of philosophy. Centuries ago, it was proclaimed of the Mahabharata: “What is not in it, is nowhere.” After twenty five centuries, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The Mahabharata is not a mere- epic; it is a romance, telling the tale of heroic men and women and of some who were divine; it is a whole literature in itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival; but, above all, it has for its core the Gita, which is, as the world is beginning to find out, the noblest of scriptures and the grandest of sagas in which the climax is reached in the wondrous Apocalypse in the Eleventh Canto.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e Through such books alone the harmonies underlying true culture, I am convinced, will one day reconcile the disorders of modern life.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e I thank all those who have helped to make this new branch of the Bhavan’s activity successful.\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003cb\u003ePublisher’s Note\u003c\/b\u003e\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e THE Stories of Vikramaditya are among the oldest collection of folk tales centering round the personality of King Vikramaditya of Ujjain. First written in \u003ca href=\"\/it\/book\/Hindu\/sanskrit\"\u003eSanskrit\u003c\/a\u003e, a number of slightly differing versions are extant in all the major languages of India. The stories are most interesting.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The main purpose of these stories is to illustrate the generous deeds of a model king and emphasize moral lessons. In this light they are didactic, but in their ingenious plots, dramatic situations, portrayal of real life and correct appraisal of human character, they are superb. As the reader can easily notice, human nature has not changed a whit after a thousand years at least.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The original authorship of these stories is unknown, even as their date; but they are generally believed to have originated during the period 11th to 13th centuries.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e “Simhasana Dwatrimsika” or Thirty-two Tales of the Throne, is a series of stories related by the statuettes on the throne of King Bhoja. They were first published in the Bhavan’s Journal and proved very popular. A sister volume to these \"Stories of Vikramaditya” is also published under the caption of \"Vetala Panchavimsati\u003c\/p\u003e \u003cp style=\"text-align: center;\"\u003e \u003cb\u003eBack of the Book\u003c\/b\u003e\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e Author, journalist and scholar, Shri Aiyer is given to, by aptitude and training, a wide range of studies extending from Astrology to Vedic researches, starting life as the Editor of a Music Journal in the pen thirties, he was a school teacher for two years. The lure of the pen drew him again to the editorial department of daily newspapers of Ceylon, Madras and Bombay successively.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e He joined the Bhavan in 1952 and served as Associate Editor of the Bhavan’s Journal since its inception for 15 years till 1968, when he went over to Bangalore in 1968 as the Director of Bhavan’s Bangalore Kendra. Presently, he is engaged in producing Cultural Readers and other literature for children at the Bhavan.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e His published works include a book on Astrology and a couple of books on Palmistry, beside Stories of King Madana Kama, Stories of King Bhoja and Hindu Shastras and Samskaras published by the Bhavan.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The STORIES OF VIKRAMADITYA are among the oldest collection of folk tales centering round the personality of King Vikramaditya of Ujjain. First written in Saskrit, a number of slightly differing versions are extant in all the major languages of India. The stories are most interesting.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The original authorship of these stories is unknown, even as their date; but they are generally believed to have originated during the period 11th to 13th centuries.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The present author has retold them in English for the modern man.\u003c\/p\u003e \u003cp style=\"text-align: justify;\"\u003e The main purpose of these stories is to illustrate the generous deeds of a model king and emphasize moral lessons. In this light they are didactic, but in their ingenious plots, dramatic situations, portrayal of real life and correct appraisal of human character, they are superb. As the reader can easily notice, human nature has not changed a while even after a thousand years.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eContents\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable width=\"100%\"\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd width=\"10%\"\u003e \u003c\/td\u003e \u003ctd width=\"80%\"\u003e Kulapati’s Preface\u003c\/td\u003e \u003ctd width=\"10%\"\u003e V\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e \u003c\/td\u003e \u003ctd\u003e Publisher’s Note\u003c\/td\u003e \u003ctd\u003e ix\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003ctd\u003e Bhoja Discovers the Throne\u003c\/td\u003e \u003ctd\u003e 1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 2\u003c\/td\u003e \u003ctd\u003e A Quartet of Brides\u003c\/td\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 3\u003c\/td\u003e \u003ctd\u003e The Perfidious Queen\u003c\/td\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 4\u003c\/td\u003e \u003ctd\u003e Vikrama inherits the Throne\u003c\/td\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 5\u003c\/td\u003e \u003ctd\u003e Ka1i’s Boon to Bhatti\u003c\/td\u003e \u003ctd\u003e 19\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 6\u003c\/td\u003e \u003ctd\u003e Vikrama and the Whale\u003c\/td\u003e \u003ctd\u003e 24\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 7\u003c\/td\u003e \u003ctd\u003e The Curtain Tells a Story\u003c\/td\u003e \u003ctd\u003e 28\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 8\u003c\/td\u003e \u003ctd\u003e The Chandeliers Story\u003c\/td\u003e \u003ctd\u003e 34\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 9\u003c\/td\u003e \u003ctd\u003e The Cushion‘s Story\u003c\/td\u003e \u003ctd\u003e 39\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 10\u003c\/td\u003e \u003ctd\u003e Lady of the Perfume\u003c\/td\u003e \u003ctd\u003e 47\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 11\u003c\/td\u003e \u003ctd\u003e The Pertldious Princess\u003c\/td\u003e \u003ctd\u003e 56\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 12\u003c\/td\u003e \u003ctd\u003e Secret of Champaka’s Vow\u003c\/td\u003e \u003ctd\u003e 65\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 13\u003c\/td\u003e \u003ctd\u003e Vikrama Weds Champaka\u003c\/td\u003e \u003ctd\u003e 71\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 14\u003c\/td\u003e \u003ctd\u003e The Rival Courtesans\u003c\/td\u003e \u003ctd\u003e 78\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 15\u003c\/td\u003e \u003ctd\u003e Princess who Would Not Speak\u003c\/td\u003e \u003ctd\u003e 83\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 16\u003c\/td\u003e \u003ctd\u003e Mysteries of the Fortress\u003c\/td\u003e \u003ctd\u003e 88\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 17\u003c\/td\u003e \u003ctd\u003e Vikrama Jumps the Hurdles\u003c\/td\u003e \u003ctd\u003e 93\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 18\u003c\/td\u003e \u003ctd\u003e Prince who Loved a Statue\u003c\/td\u003e \u003ctd\u003e 102\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 19\u003c\/td\u003e \u003ctd\u003e Mystery of Missing Daughter\u003c\/td\u003e \u003ctd\u003e 109\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 20\u003c\/td\u003e \u003ctd\u003e The Tragic Quartet\u003c\/td\u003e \u003ctd\u003e 117\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 21\u003c\/td\u003e \u003ctd\u003e Man who Became an Ox\u003c\/td\u003e \u003ctd\u003e 121\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 22\u003c\/td\u003e \u003ctd\u003e The Resourceful Thieves\u003c\/td\u003e \u003ctd\u003e 129\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 23\u003c\/td\u003e \u003ctd\u003e The Princess Marries Vikrama\u003c\/td\u003e \u003ctd\u003e 138\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 24\u003c\/td\u003e \u003ctd\u003e Vikrama and the Merchant's Daughter\u003c\/td\u003e \u003ctd\u003e 142\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 25\u003c\/td\u003e \u003ctd\u003e Vikrama and Shani Bhagawan\u003c\/td\u003e \u003ctd\u003e 153\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 26\u003c\/td\u003e \u003ctd\u003e Vikrama and the Pearl Princess\u003c\/td\u003e \u003ctd\u003e 161\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 27\u003c\/td\u003e \u003ctd\u003e Vikrama Weds Hasamukhi\u003c\/td\u003e \u003ctd\u003e 167\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 28\u003c\/td\u003e \u003ctd\u003e Vikrama on a New Mission\u003c\/td\u003e \u003ctd\u003e 173\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 29\u003c\/td\u003e \u003ctd\u003e Achchyut Kanya\u003c\/td\u003e \u003ctd\u003e 177\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 30\u003c\/td\u003e \u003ctd\u003e Naga-Kanya\u003c\/td\u003e \u003ctd\u003e 184\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 31\u003c\/td\u003e \u003ctd\u003e The Well of Mercury\u003c\/td\u003e \u003ctd\u003e 191\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 32\u003c\/td\u003e \u003ctd\u003e Ratnamala Escapes\u003c\/td\u003e \u003ctd\u003e 197\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 33\u003c\/td\u003e \u003ctd\u003e Danseuse Aparanji\u003c\/td\u003e \u003ctd\u003e 203\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 34\u003c\/td\u003e \u003ctd\u003e Aparanji Shuts Out Vikrama\u003c\/td\u003e \u003ctd\u003e 210\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 35\u003c\/td\u003e \u003ctd\u003e The Treacherous Queen\u003c\/td\u003e \u003ctd\u003e 216\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 36\u003c\/td\u003e \u003ctd\u003e Vikrama Becomes a Parrot\u003c\/td\u003e \u003ctd\u003e 221\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 37\u003c\/td\u003e \u003ctd\u003e The Parrot Escapes\u003c\/td\u003e \u003ctd\u003e 229\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 38\u003c\/td\u003e \u003ctd\u003e The Parrot Wins the Bet\u003c\/td\u003e \u003ctd\u003e 235\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 39\u003c\/td\u003e \u003ctd\u003e Vikrama Catches a Tartar\u003c\/td\u003e \u003ctd\u003e 243\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 40\u003c\/td\u003e \u003ctd\u003e Washerman Becomes King\u003c\/td\u003e \u003ctd\u003e 251\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 41\u003c\/td\u003e \u003ctd\u003e Swarnapuri\u003c\/td\u003e \u003ctd\u003e 257\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 42\u003c\/td\u003e \u003ctd\u003e Mystery Girl at Swarnapuri\u003c\/td\u003e \u003ctd\u003e 260\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 43\u003c\/td\u003e \u003ctd\u003e Swarnapuri Comes Back to Life\u003c\/td\u003e \u003ctd\u003e 269\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 44\u003c\/td\u003e \u003ctd\u003e Princess Sadguna\u003c\/td\u003e \u003ctd\u003e 273\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 45\u003c\/td\u003e \u003ctd\u003e The Three Apsaras\u003c\/td\u003e \u003ctd\u003e 283\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 46\u003c\/td\u003e \u003ctd\u003e The Princes' Bid for Escape\u003c\/td\u003e \u003ctd\u003e 286\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 47\u003c\/td\u003e \u003ctd\u003e Yogis and the Apsara\u003c\/td\u003e \u003ctd\u003e 291\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 48\u003c\/td\u003e \u003ctd\u003e Princes Amrita in Fairyland\u003c\/td\u003e \u003ctd\u003e 295\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 49\u003c\/td\u003e \u003ctd\u003e Maha Sura in Devaloka\u003c\/td\u003e \u003ctd\u003e 301\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 50\u003c\/td\u003e \u003ctd\u003e Vikrama Rescues Maha Sura\u003c\/td\u003e \u003ctd\u003e 307\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 51\u003c\/td\u003e \u003ctd\u003e Princess Vichitrakala\u003c\/td\u003e \u003ctd\u003e 311\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 52\u003c\/td\u003e \u003ctd\u003e Vikrama Helps Dharmasheela\u003c\/td\u003e \u003ctd\u003e 320\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 53\u003c\/td\u003e \u003ctd\u003e Vikrama Liberates Brahmarakshas\u003c\/td\u003e \u003ctd\u003e 326\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 54\u003c\/td\u003e \u003ctd\u003e Danseuse Kamalarekha\u003c\/td\u003e \u003ctd\u003e 332\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 55\u003c\/td\u003e \u003ctd\u003e Nava Mohini\u003c\/td\u003e \u003ctd\u003e 338\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 56\u003c\/td\u003e \u003ctd\u003e Vikrama Interprets a Will\u003c\/td\u003e \u003ctd\u003e 343\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 57\u003c\/td\u003e \u003ctd\u003e Vikrama Gifts a Princess\u003c\/td\u003e \u003ctd\u003e 348\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 58\u003c\/td\u003e \u003ctd\u003e Kali's Gift to Vikrama\u003c\/td\u003e \u003ctd\u003e 353\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 59\u003c\/td\u003e \u003ctd\u003e Vikrama Honours a Great Magician\u003c\/td\u003e \u003ctd\u003e 358\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 60\u003c\/td\u003e \u003ctd\u003e Navamohini\u003c\/td\u003e \u003ctd\u003e 362\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 61\u003c\/td\u003e \u003ctd\u003e Vikrama‘s \u003ca href=\"\/it\/article\/dharma-for-modern-man\"\u003eDharma\u003c\/a\u003e\n\u003c\/td\u003e \u003ctd\u003e 366\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003e 62\u003c\/td\u003e \u003ctd\u003e Last Days of Vikrama\u003c\/td\u003e \u003ctd\u003e 371\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e\n\u003ccenter\u003e\u003cb\u003e\u003cu\u003e\u003cfont size=\"5\" color=\"red\"\u003eSample Pages\u003c\/font\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512a.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512b.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512c.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512d.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512e.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512f.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512g.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512h.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512i.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512j.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512k.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512l.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512m.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512n.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512o.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e \u003ccenter\u003e\u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2017\/ihl512p.jpg\"\u003e\u003c\/center\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Occultnthings","offers":[{"title":"Default Title","offer_id":44619532173613,"sku":"IHL512","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2094\/2117\/products\/ihl512.jpg?v=1677761104","url":"https:\/\/occultnthings.com\/it\/products\/stories-of-vikramaditya-simhasana-dwatrimsika-ihl512","provider":"Occult-N-Things","version":"1.0","type":"link"}