Ujjal Nilmani by Srila Rupagoswami Pad
Book Specification
Item Code: | IDG593 |
Author: | Srila Rupagoswami |
Publisher: | MEMBER OF GOUDIYA VAISNAVA ASSOCIATION |
Language: | English |
Edition: | 2000 |
Pages: | 240 |
Cover: | Paperback |
Other Details | 8.1" X 5.3" |
Weight | 270 gm |
Book Description
Chapter 1 - Varieties of heroes | 1 | ||
lnvoking auspiciousness | 1 | ||
Sri Krsna | 1 | ||
Krsna's features as pati and upapati | 2 | ||
Pati | 2 | ||
Upapati | 3 | ||
Four types of pati and upapati | 3 | ||
1. Anukul- the faithful lover | 4 | ||
2. Daksina - the Expert lover | 5 | ||
3. Satha - the cheating lover | 6 | ||
4. Dhrsta - the bold and arrogant lover | 6 | ||
Summary | 6 | ||
Chapter 2 - Sahalas - Male friends who assist in the arrangements of Krsna's pastimes with the gopis | 8 | ||
1. Geta | 8 | ||
2. Vita | 8 | ||
3. Vidusaka | 8 | ||
4. Pitha-Marda | 9 | ||
5. Priya-narma-sakha | 10 | ||
Four kinds of gopi heipers | 10 | ||
Krsna personally arranges for His pastimes | 11 | ||
Krsna's flure | 11 | ||
Apta-duti - gopi-messenger | 11 | ||
Chapter 3 - Svakiya and parakity - Lord Krsna's amorous lovers | 12 | ||
1. Svakiya | 12 | ||
2. Parakiya | 13 | ||
Two groups of Parakiya-kanyaka and parodha | 14 | ||
1. Kanyaka - unmarried gopies | 16 | ||
2. Parodha - the wives of other | 16 | ||
Three groups of gopis | 17 | ||
1. Sadhana-para | 17 | ||
A. Yauthikis | 17 | ||
1. Munis | 17 | ||
2. Personified Upanisads | 17 | ||
B. Ayauthiki gopis | 17 | ||
1. Pracina gopis | 18 | ||
2. Nava gopis | 18 | ||
2. Devi | 18 | ||
3. Nitya-Priya | 18 | ||
Chapter 4 - Srimati Radharani | 20 | ||
Srimati Radharani's 16 ornaments | 20 | ||
Srimati Radharani's 12 ornaments | 21 | ||
Srimati Radharani's 25 chief qualities | 21 | ||
1. mashura - sweetnes | 22 | ||
2. nava-vayah- fresh youthfulness | 22 | ||
3. calapangi - restless eyes | 22 | ||
4. ujjvala-smita - brightly smiling | 23 | ||
5. curu-saubhagya-rekhadya-beautiful, auspicious lines | 23 | ||
6. She makes Krsna happy with Her bodily aroma | 23 | ||
7. expert at joking and speaking pleasantly | 23 | ||
8. charming speech | 23 | ||
9. expert at joking and speaking pleasantly | 23 | ||
10. humble and meek | 24 | ||
11. full of mercy | 24 | ||
12. expert | 24 | ||
13. cunning | 25 | ||
14. shy | 25 | ||
15. respectful | 25 | ||
16. clam | 26 | ||
17. grave | 26 | ||
18. expert at enjoying life | 26 | ||
19. situated at the topmost level of ecstatic love | 26 | ||
20. the rescrvoir of loving affairs in Gokula | 26 | ||
21. Her fame shines in all the universe | 27 | ||
22. She is very affectionate to elderly people | 27 | ||
23. Very submissive to the love of Her friends | 27 | ||
24. the chief gopi | 27 | ||
25. She always keeps Krsna under Her control | 28 | ||
The gopi-friends of Srimati Radharani | 28 | ||
Chapter 5 - Varieties of heroines | 29 | ||
Different categories of heroines | 30 | ||
1. Mugdha - acharming innocent girl | 30 | ||
1. Nava-vayah - youthfulness | 30 | ||
2. nava-kams- she is inexperienced in loving affairs | 31 | ||
3. rattan vama- in loving affairs she acts in a contrary manner | 31 | ||
4. sakhi-vasa - she is controlled by her friends | 31 | ||
Sa-vrida-rata - she is very shy in loving affairs | 31 | ||
6. rosa-knta-paspa mauna - when her lover insults her, she becomes silent and tears flow from her eyes | 32 | ||
7. Mane vimukhi - when her jealousy is aroused she spurns her lover | 30 | ||
Two types of jealous anger in the mugdha heroine | 33 | ||
2. Madhya - the middle gopi | 33 | ||
1. samana-lijja-madana -timid in aorous pastimes, just like the mugdha heroine | 33 | ||
2. prodyat-tarnya-salini -situated in the age where youthful maturity is just beginning to manifest | 33 | ||
3. kincit-pragalbohokti -sometimes her words show some signs of arrogance | 34 | ||
4. mohama-surana-ksama-eager to enjoy amoious pastimes up to the point of fainting from conjugal bliss | 34 | ||
5. mane komala - gentle in jealous anger | 34 | ||
6. mane karkasa - harsh in jealous anger | 34 | ||
Three types of jealous anger in the Madhya heroine | 35 | ||
1. Dhira quality in the Madhya heroine | 35 | ||
2. Adhira quality in the Madhya heroine | 35 | ||
3. Ubhaya quality in the Madhya heroine | 35 | ||
3. Pragalbha (a mature, clever, arrogant woman expert at controlling the lover) | 36 | ||
1. purana-tarunya - situated in the stage of fully manifested youthfulness | 36 | ||
2. madandha - blinded by passion | 36 | ||
3. uru-ratotsuka -filled with yearning to enjoy amorous pastimes | 37 | ||
4. bhuri-bhavodgamabhijna - the simulataneous presence of many symptoms of ecstasy | 37 | ||
5. rasakranta-vallabha-able to overwhelm her lover with the nectar of transcendental mellows | 37 | ||
6. ati-praudhokti - her actions are those of a mature, proud woman | 38 | ||
8. mane-camanta-karkasa- in jeaious anger she is extremely harsh and bitter | 38 | ||
Three types of jealous anger in the pragalbha heroine | 38 | ||
1. Dhira-pragalbha | 38 | ||
2. Adhira-pragalbha | 39 | ||
3. Dhiradhira-paragalbha | 39 | ||
Other categories of gopis | 40 | ||
Eight categories of gopis | 40 | ||
1. Abhisarika | 41 | ||
Jyotsni | 41 | ||
Tamasi | 41 | ||
2. Vasasajja | 42 | ||
3. Utkanthita | 42 | ||
4. Khandita | 42 | ||
5. Viparalabdha | 43 | ||
6. Kalahantarita | 43 | ||
7. Prosita-bhartrka | 43 | ||
8. Svadhina-bhartrka | 44 | ||
Three divisions among the eight categories of gopis | 44 | ||
1. Uttama | 45 | ||
2. Madhyama | 45 | ||
3. Kanistha | 45 | ||
Chapter 6 - Yuthesvari-bheda - Varieties of leaders of the gopis | 46 | ||
1. Adhika - the most fortunate and qualified | 46 | ||
Atyantiki-adhika | 47 | ||
Apeksiki-adhika | 47 | ||
Adhika-prakhara | 47 | ||
Adhika-madhya | 47 | ||
Adhika-mrdvi | 47 | ||
2. Sama- those whose good fortune and qualifications place them in an intermediate position | 47 | ||
Same-prakhara | 47 | ||
Same-madhya | 48 | ||
3. Laghu - Those not as fortunate and qualified as the others | 48 | ||
Laghu-Prakhara | 49 | ||
Laghu-madhya | 49 | ||
Laghu-mrdvi | 49 | ||
Summary | 50 | ||
Chapter 7 - Duti-bheda-varieties of messengers | 51 | ||
1. | Svayanm-duti - a messenger who acts on her own volition | 51 | |
1. | Vacika | 51 | |
1. Saksat - direct | 51 | ||
1. Grava - the proud message | 51 | ||
where the words themselves conceal hidden meanings | 51 | ||
grava - arthottha - vyangya - a proud messahe where the hidden message is contained not in the words, but in the meaning | 52 | ||
2. Aksepa - scolding | 52 | ||
aksepsa - sabdottha - vyangya - a rebuke with words that conceal a hidden meaning | 52 | ||
aksepsa - artho-vyangya - a rebuke where a secret message is concealed in the meaning | 53 | ||
3. Yacna - an appeal | 53 | ||
a. Svartha-yacna | 54 | ||
b. svartha-yacna - with a direct meaning | 53 | ||
2. Vyapadesa - a trick | 54 | ||
2. Purahstha-visaya | 55 | ||
2. | Angika | 55 | |
1. cracking the fingers | 56 | ||
2. prerending to be very concerned to cover the limbs of the body | 56 | ||
3. scratching the ground with the toe | 56 | ||
4. scratching the ear | 56 | ||
5. applying tilaka | 56 | ||
6. garments | 57 | ||
7. moving the eyebrows | 57 | ||
8. sakhi-tadanam | 57 | ||
9. adhara-damsa | 57 | ||
10. haradi-gumpha | 57 | ||
11. mandana-sanjitam | 58 | ||
12. dor-muladi-prakatanam | 58 | ||
13. krsna-namabhilakhenam | 58 | ||
14. tarau lataya yogah | 58 | ||
3. | Caksusa | 58 | |
1. netra-smitam | 58 | ||
2. netradha-mudra | 58 | ||
3. netranta-bharama | 59 | ||
4. netranta-kunanam | 59 | ||
5. saciksa | 59 | ||
6. Vama-drk-preksa | 59 | ||
7. kataksa | 60 | ||
2. | Duti-the gopi-messengers | 60 | |
1. amitartha | 60 | ||
2. nisrstratha | 61 | ||
3. patra-hari | 61 | ||
Other categories of gopi-messengers | 61 | ||
1. silpakari-an artist | 61 | ||
2. daivajna-an astrologer | 61 | ||
3. lingini-an ascetic | 62 | ||
4. paricarika -maidservants | 62 | ||
5. dhatreyi- the daughter of Radharani's nurse | 62 | ||
6. vana-devi-a forest-demigoddes | 62 | ||
7. Sakhi-the friend who becomes a messenger | 63 | ||
Tow kinds of messages | 63 | ||
1. Vacya | 63 | ||
2. Vyangya | 63 | ||
krsnc vacyam | 64 | ||
Vyangyam | 64 | ||
Two other kinds of messages | 65 | ||
1. Kriya-sadhya | 65 | ||
2. Vacika | 65 | ||
1. Vacya | 65 | ||
2. Vyangya | 66 | ||
1. sabda-vyangya | 66 | ||
2. artha-vyangya | 66 | ||
1. as a rebuke to the busband or another person | 66 | ||
2. as praise of Lord Krsna or other | 66 | ||
3. as a description of a certain place or thing | 66 | ||
Chapter 8 | - Sakhi-prakaranam - Srimati Radharani's friends | 68 | |
Different division of sakhis | 68 | ||
1. Adhika -atyantika -adhika | 68 | ||
1. prakhara | 68 | ||
2. madhya | 69 | ||
3. mrdvi | 69 | ||
Apeksika-adhika-trikam - three types of sakhis aspiring to become leaders | 69 | ||
1. prakhara | 70 | ||
2. madhya | 70 | ||
3. mrdvi | 71 | ||
2. | Sama | 71 | |
3. | Laghu-trikam | 71 | |
1. apeksika-laghu-prakhara | 72 | ||
1.1 Vama - the left wing | 73 | ||
1.2 daksina - the right wing | 73 | ||
Laghu-mrdvi | 74 | ||
2. atyantika-laghu | 74 | ||
division of the leaders of the sakhis | 74 | ||
Gopis who carries messages between Radha and Krsna | 74 | ||
Nitya-nayika | 75 | ||
1. samaksa- those directly spoken to Lord Krsna | 75 | ||
1.1 sanketika - a message consisting of gestures | 75 | ||
1.2 vacika - a message consisting of world | 75 | ||
Vyapadesa | 76 | ||
Nayika-parayas | 77 | ||
Sama-sakhis | 78 | ||
Sakhi-praya | 79 | ||
Nitya-sakhis | 79 | ||
The activities of the sakihs | 81 | ||
Other groups of sakhis | 85 | ||
1. Asama-sneha | 85 | ||
1.1 krsna-snehadhika | 86 | ||
1.2 Priya-sakhyam snehadhika | 86 | ||
Chapter 9 | - Hari-vallabhah-Lord krsna's beloved Topics | 88 | |
Suhrt-paksa | 88 | ||
Tatastha-paksa | 88 | ||
Vi-paska | 89 | ||
1. cadma - trickery | 89 | ||
2. irsya - jealousy | 90 | ||
3. garvita - pride | 91 | ||
1. nhankara | 91 | ||
2. abhimana | 91 | ||
3. darpa | 92 | ||
4. mocking the enemy | 92 | ||
5. pride in one's own superiority | 93 | ||
Puns which contain veiled critisim | 93 | ||
Chapter 10 - that when stimulates ecstatic love | 97 | ||
1. | Transecendental qualities | 97 | |
1. The qualities of the mind and intelligence | 97 | ||
2. Qualities of speech | 97 | ||
3. Qualities of body | 97 | ||
1. | youthfulness | 98 | |
1. vayah-sandhi | 98 | ||
2. navya | 98 | ||
3. vyaktam | 99 | ||
4. purna | 99 | ||
2. | rupam | 100 | |
3. lavanyam | 100 | ||
4. saundaryam | 101 | ||
5. abhipupata | 101 | ||
6. madhuryam - sweetness | 101 | ||
7. madavam - delicateness | 102 | ||
2. | Names | 102 | |
3. | Pastimes | 102 | |
Nila | 102 | ||
1. Charming pastimes | 103 | ||
2. tandava-dancing | 103 | ||
3. palying the flute | 103 | ||
4. milking the surabhi cows | 103 | ||
5. lifting Govardhana Hill | 103 | ||
6. calling the surabhi cows | 104 | ||
7. walking | 104 | ||
4. | Mandanam | 104 | |
1. garments | 104 | ||
2. ornamesnt | 104 | ||
3. Garlands and necklace | 105 | ||
4. ointments and cosmetics | 105 | ||
5A. | Things directly touching the beloved | 105 | |
1. sound of flute | 105 | ||
2. the sound of the buffalo-horn bugle | 105 | ||
3. singing | 106 | ||
4. sweet fragrance | 106 | ||
5. the tinkling sounds of ornaments | 106 | ||
6. footprints | 106 | ||
7. the sound of the lute and other musical instruments | 106 | ||
8. expert artistic craftsmanship | 107 | ||
5B. | Things near the beloved | 107 | |
1. remnants of flowers and other things offered to the beloved | 107 | ||
2-3. Peacock features and gunja necklaces | 107 | ||
4. mincral pigments from the hills and mountains | 108 | ||
5. surbhi cows | 108 | ||
6. stick | 108 | ||
7. flute | 108 | ||
8. glances of the beloved | 109 | ||
9. glances of the beloved | 109 | ||
10. dust raised by the cows | 109 | ||
11. Vrndavan forest | 109 | ||
12. the residents of the Vrndavana forest | 109 | ||
12-1. birds | 109 | ||
12-2. bumble-bees | 110 | ||
12-3. deers | 110 | ||
12-4&5. groves of trees and creepers | 110 | ||
12-6. tulsi-devi | 110 | ||
12-7. karnikara flowers | 110 | ||
12-8. kadamba and other flowers | 111 | ||
13. Govardhana Hill | 111 | ||
14. yamuna river | 111 | ||
15. the rasa-dance arena and other of Krsna's pastimes | 111 | ||
6. | Things not related | 111 | |
1. moonlight | 111 | ||
2. clouds | 112 | ||
3. lighting | 112 | ||
4. springtime | 112 | ||
5. autumn | 112 | ||
6. full-moon | 112 | ||
7. fragrant breeze | 113 | ||
8. birds | 113 | ||
Chapter 11 - Anubhava cestasy | 114 | ||
1. | Alankars | 114 | |
bhava | 114 | ||
hava | 114 | ||
hela | 115 | ||
sobha | 115 | ||
kanti | 115 | ||
dipti | 115 | ||
madhurayam | 116 | ||
pragalbhata | 116 | ||
audaryam | 116 | ||
dhatryam | 117 | ||
lila | 117 | ||
vilasa | 117 | ||
vichitti | 118 | ||
vibrahama | 118 | ||
kila kincita-bhava | 119 | ||
Remembers of hears about Krsna | 119 | ||
Externally offended and angry, but within her heart happy | 120 | ||
Even though pleased by Krsna's gift, the heroine may pretend to proudly and angrily dislike it. | 120 | ||
lalitam | 121 | ||
vikrtam | 121 | ||
maugdhyam | 122 | ||
cakitam | 112 | ||
2. | Udbhasvaras | 122 | |
3. | Vacika | 123 | |
Alapa - very affectionate words | 123 | ||
Chapter 12 - Sattvika cestasy | 126 | ||
Becoming stumed | 126 | ||
Perspiration | 126 | ||
Hair standing up | 127 | ||
Speaking broken words | 127 | ||
Trembling | 128 | ||
Turning pale | 129 | ||
Shedding tears | 129 | ||
Devastation | 130 | ||
Three stages of ccstratic symptoms of ecstasy | 130 | ||
Smokey (partly visible) symptoms of ecstasy | 130 | ||
Burming (move complete) | 130 | ||
Blazing (complete manifestation) | 130 | ||
Chapter 13 - Vyablicaris | 132 | ||
Weakness | 134 | ||
Fatigue | 135 | ||
Intoxication | 135 | ||
Pride | 135 | ||
Anxicty | 136 | ||
Bewiderment | 137 | ||
Death | 137 | ||
Laziness | 138 | ||
Becoming stunned | 138 | ||
Shynace | 138 | ||
Concealing one's actual feelings | 139 | ||
Guessing | 140 | ||
Meditation | 140 | ||
Satisfaction | 141 | ||
Happiness | 141 | ||
Eagerness | 142 | ||
Harsh punishment | 142 | ||
Anger | 143 | ||
Envy | 143 | ||
Ficklences | 144 | ||
Sleep | 144 | ||
The beginning of love | 145 | ||
Meeting | 145 | ||
Chapter 14 - Sthayi-bhava-steady eestasy | 147 | ||
The stages of sthayi-bhava | 147 | ||
Abhiyoga | 147 | ||
Visaya - sense-objects | |||
1. Sound | 148 | ||
2. touch | 148 | ||
3. form | 148 | ||
4. taste | 149 | ||
5. feagrance | 149 | ||
Eloquent words | 149 | ||
Sambandha- relationship | 149 | ||
Abhimana | 149 | ||
Pada, Vraja and Priya-jana | 150 | ||
Upama - similarity | 150 | ||
Svabhava | 151 | ||
Nisarga | 151 | ||
Svarupam | 151 | ||
Krsna-nistham - in Krsna | 151 | ||
lalana-nistham | 152 | ||
ubhaya-nistham | 152 | ||
Three kinds of sthayi-bhava | 152 | ||
Sadharani | 153 | ||
Samanjasa | 153 | ||
Samantha | 153 | ||
Different forms of Samantha love | 154 | ||
Prema | 155 | ||
Praudha- fully developed love | 155 | ||
madhya | 156 | ||
manda | 156 | ||
sneha | 157 | ||
1. gharta-sncha-love like butter | 158 | ||
2. madhu-sneha - love like honery | 158 | ||
mana - pride | 159 | ||
raga | 162 | ||
nila-ranga | 162 | ||
manjistha-raga | 162 | ||
anuraga | 163 | ||
maha-bhava | 164 | ||
1. inability to tolerate the eyes blinking | 165 | ||
2. agitation of the heart | 165 | ||
3. perceiving a kalpa to be as long as a single moment | 165 | ||
4. during a period of happiness becoming depressed because of apprechension of future suffering | 166 | ||
5. becoming bewildered and forgetting everything, even one's own self | 165 | ||
6. perceiving a single moment to be as long as a kalpa | 166 | ||
Modana | 167 | ||
Suddipata-satvika | 167 | ||
Suncari-moha | 167 | ||
Udghurna and citra-jalpa | 169 | ||
Prajalpa | 169 | ||
Vijalpa | 170 | ||
Ujjalpa | 171 | ||
Sanjalpa | 171 | ||
Avajalpa | 171 | ||
Abhigalpita | 172 | ||
Ajalpa | 173 | ||
Pratijipla | 173 | ||
Madana | 174 | ||
Summary | 175 | ||
Chapter 15- Varieties of conjugal love | 176 | ||
1. | Love in separation | 176 | |
Purvaraga | 176 | ||
Secing | 176 | ||
1. directly seeing Krsna | 176 | ||
2. secing Krsna in a picture | 176 | ||
3. seeing Krsna in a dream | 177 | ||
Hearing | 177 | ||
hearing form the mouth of a trobadour | 177 | ||
hearing from the mouth of a gopi-messeringer | 177 | ||
hearing from the mouth of a gopi-friend | 177 | ||
Praudha | 178 | ||
Udvega | 178 | ||
Jagarya | 178 | ||
Tanava | 179 | ||
Jadima | 179 | ||
vairagya | 179 | ||
Vyadhi | 180 | ||
Unmadha | 180 | ||
Moha | 180 | ||
Decide to commit suicide | 181 | ||
Abhilasa | 181 | ||
Cinta | 181 | ||
Smrti | 182 | ||
Guna-kirtanam | 182 | ||
Sadharana rati | 182 | ||
Kama-lekha | 183 | ||
niraksara | 183 | ||
saksara | 183 | ||
Mana | 184 | ||
Mana based on a specific cause | 184 | ||
1. directly hearing | 185 | ||
2. directly seeing | 185 | ||
3. by inferring some evidence | 186 | ||
Svapna | 187 | ||
Sama | 189 | ||
Dana | 190 | ||
Nati | 190 | ||
Upeksa | 190 | ||
Rasantaram and yadrcchikam | 191 | ||
Buddhi-purvam | 191 | ||
Influence of a particular place, time or hearing the flute | 192 | ||
Different kinds of separation | 193 | ||
Prema-vaicityyam | 193 | ||
Pravasa | 193 | ||
Abuddhi-purvaka | 194 | ||
Krsna's sentiments during separation | 196 | ||
Summary | 196 | ||
Chapter 16 - Conjugal pleasure | 198 | ||
Sambhoga | 198 | ||
mukhya-sambhoga | 198 | ||
sanksipta | 198 | ||
sampanna-bhog | 199 | ||
pradhurbhava | 199 | ||
Gauna-sambhoga | 200 | ||
gauna | 200 | ||
Specific charming conjugal pastimes | 201 | ||
Lila-cauryam | 203 | ||
Lila-vilsa | 205 | ||
Ujjal Nilmani Kiranah | 206 | ||
A Ray of Light from the Ujjval Nilmani | 206 | ||
[Resplendent, bright blue sapphire, Sri Krsna] | 206 | ||
Sri Sri Krsna Saranam- I take shelter of Shri Krsna | 206 | ||
Nayak-vibhed - different kinds of divisions amongst heroes | 206 | ||
heroes | 206 | ||
Lila-vilasa | 208 | ||
Asta-nayika bhed - eight divisions amongst lovers | 209 | ||
Nayika ganer svabhava natures of lovers | 210 | ||
Nayika-vibhed-division amongst female lovers | 211 | ||
Duti Bhed-different kinds of sakhis | 212 | ||
Bayo Bhed -age differences | 212 | ||
Sattvik-symptoms of existential ecstatic love | 213 | ||
Byabhicari-further symptoms which express overwhelming ecstatic love | 213 | ||
Bhavot pattyadi | 213 | ||
Sthayi bhav - permanent mellow | 214 |