{"product_id":"oxford-anthology-of-modern-indian-poetry-idd650","title":"THE OXFORD ANTHOLOGY OF MODERN INDIAN POETRY","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eIDD650\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eAuthor:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/pt\/book-author\/vinay%20dharwadker%20and%20ed%20by%20a%20k%20ramanujan\" class=\"underlined\" title=\"Vinay Dharwadker and ED. BY: A. K. Ramanujan\"\u003eVinay Dharwadker and ED. BY: A. K. Ramanujan\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/pt\/book-publisher\/oxford%20india%20paperbacks\" class=\"underlined\" title=\"Oxford India Paperbacks\"\u003eOxford India Paperbacks\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2002\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eISBN:\u003c\/td\u003e \u003ctd\u003e019 5639170\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e285\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003ePaperback\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e8.4\" x 5.4\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003cb\u003eAbout the Book:\u003c\/b\u003e\u003cp\u003e This anthology, the first significant work of its kind, contains some of the finest Indian poetry written in the twentieth century. Bringing together 125 poets in English and English translation from 14 Indian languages, the collection provides an overview of the major figures, forms, and movements in Indian poetry in the last hundred years. The poets represented here include Rabindranath Tagore, Subramania Bharti, Nirala, G. Shankara Kurup, Kaifi Azmi, Anuradha Mahapatra, Salim Peeradina, and Vikram Seth. The volume also represents the best work of nearly 70 translators from various countries and contains an informative critical essay on the literary, historical, and social context of modern Indian poetry as well as notes on the poems and the contributors. As a work of craftsmanship and learning, this book is a source of pleasure, discovery and stimulation for general readers and scholars alike. \u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eAbout the Author:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eVinay Dharwadker\u003c\/b\u003e, poet, translator and critic, teaches at the University of Oklahoma.\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eA. K. Ramanujan (1929-1993)\u003c\/b\u003e was a poet, translator, folklorist and an eminent scholar of South Asian language and culture.\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eExperts from Reviews:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e ' a refreshing volume [it contains] a number of gems that are robed in the images of experience and thought.' \u003c\/p\u003e\n\u003cp align=\"Right\"\u003e\u003ci\u003eThe Hindustan Times\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e This collection offers 'kaleidoscopic glimpses of life-experience.' \u003c\/p\u003e\n\u003cp align=\"Right\"\u003e\u003ci\u003eThe Statesman\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e 'All in all, [This] is an admirable attempt to present the growth, the dimensions and variegated depth of Indian poetry in different language.' \u003c\/p\u003e\n\u003cp align=\"Right\"\u003e\u003ci\u003eIndian Literary Panorama\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ccenter\u003e\u003cb\u003eContents\u003c\/b\u003e\u003c\/center\u003e\n\u003cp\u003e Acknowledgements \u003c\/p\u003e\n\u003cp\u003e Preface\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col type=\"I\"\u003e \u003cli\u003eON READING A LOVE POEM\u003cul\u003e \u003ci\u003eThe Pact \u003c\/i\u003e\u003cul\u003e P.S. Rege\u003c\/ul\u003e \u003ci\u003eThis Night\u003c\/i\u003e\u003cul\u003e N. Revathi Devi\u003c\/ul\u003e \u003ci\u003eOn Reading a Love Poem\u003c\/i\u003e\u003cul\u003e Kedarnath Singh\u003c\/ul\u003e \u003ci\u003eMother\u003c\/i\u003e\u003cul\u003e P. Lankesh\u003c\/ul\u003e \u003ci\u003eThe Girl's Desire Moves Among Her Bangles\u003c\/i\u003e\u003cul\u003e Gagan Gill\u003c\/ul\u003e \u003ci\u003eflute-music\u003c\/i\u003e\u003cul\u003e Rabindranath Tagore\u003c\/ul\u003e \u003ci\u003eWomen in Dutch Painting\u003c\/i\u003e\u003cul\u003e Eunice de Souza\u003c\/ul\u003e \u003ci\u003eOutside the Furnace \u003c\/i\u003e\u003cul\u003e Aziz Quaisi\u003c\/ul\u003e \u003ci\u003eThe Knot\u003c\/i\u003e\u003cul\u003e Vinda karandikar\u003c\/ul\u003e \u003ci\u003eLove Poem for a Wife, 2 \u003c\/i\u003e\u003cul\u003e A.K. Ramanujan\u003c\/ul\u003e \u003ci\u003eWoman, 2 \u003c\/i\u003e\u003cul\u003e Jyotsna Milan \u003c\/ul\u003e \u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eA POND NAMED \u003ca href=\"\/pt\/article\/ganges\"\u003eGANGA\u003c\/a\u003e\u003cul\u003e \u003ci\u003eConsolidaton to Empty Pitchers\u003c\/i\u003e\u003cul\u003e K.S. Narasimhaswami\u003c\/ul\u003e \u003ci\u003eThe Forest of Yellow Bamboo Trees\u003c\/i\u003e\u003cul\u003e B.S. Mardhekar\u003c\/ul\u003e \u003ci\u003efrom Hymns in Darkness\u003c\/i\u003e\u003cul\u003e Nissim Ezekiel\u003c\/ul\u003e \u003ci\u003eThe Void \u003c\/i\u003e\u003cul\u003e G.M. Muktibodh\u003c\/ul\u003e \u003ci\u003eWoman\u003c\/i\u003e\u003cul\u003e Hira Bansode\u003c\/ul\u003e \u003ci\u003eMan\u003c\/i\u003e\u003cul\u003e Archana Varma\u003c\/ul\u003e \u003ci\u003eThe Wall\u003c\/i\u003e\u003cul\u003e Ismail \u003c\/ul\u003e \u003ci\u003eTall Buildings\u003c\/i\u003e\u003cul\u003e Munib-ur-Rahman \u003c\/ul\u003e \u003ci\u003eMonday\u003c\/i\u003e\u003cul\u003e Vijaya Mukhopadhyay\u003c\/ul\u003e \u003ci\u003eAn October Morning \u003c\/i\u003e\u003cul\u003e Jayanta Mahapatra\u003c\/ul\u003e \u003ci\u003eThe Well \u003c\/i\u003e\u003cul\u003e Padma Sachdev \u003c\/ul\u003e \u003ci\u003eDrought\u003c\/i\u003e\u003cul\u003e Sitanshu Yashashchandra\u003c\/ul\u003e \u003ci\u003eIf Hot Flowers Come to the Street \u003c\/i\u003e\u003cul\u003e R. Meenakshi\u003c\/ul\u003e \u003ci\u003eDesert Landscape\u003c\/i\u003e\u003cul\u003e Agha Shahid Ali\u003c\/ul\u003e \u003ci\u003eA Pond Named Ganga\u003c\/i\u003e\u003cul\u003e Chandrashekhar Kumbar\u003cp\u003e\u003c\/p\u003e\n\u003c\/ul\u003e \u003c\/ul\u003e \u003c\/li\u003e\n\u003cli\u003e HOUSEHOLD FIRES \u003cul\u003e \u003ci\u003eSpell\u003c\/i\u003e\u003cul\u003e Anuradha Mahapatra \u003c\/ul\u003e \u003ci\u003eTwo Women Knitting \u003c\/i\u003e\u003cul\u003e Mrinal Pande\u003c\/ul\u003e \u003ci\u003eHousehold Fires\u003c\/i\u003e\u003cul\u003e Indira Sant \u003c\/ul\u003e \u003ci\u003eTo Mother\u003c\/i\u003e\u003cul\u003e S. Usha\u003c\/ul\u003e \u003ci\u003eSalutations\u003c\/i\u003e\u003cul\u003e Shanmuga Subbiah\u003c\/ul\u003e \u003ci\u003eThis Man\u003c\/i\u003e\u003cul\u003e G.S. Shivarudrappa\u003c\/ul\u003e \u003ci\u003eAmalkanti\u003c\/i\u003e\u003cul\u003e Nirendranath Chakrabarti\u003c\/ul\u003e \u003ci\u003eCompromise\u003c\/i\u003e\u003cul\u003e Akhtar-ul-Iman\u003c\/ul\u003e \u003ci\u003eFear\u003c\/i\u003e\u003cul\u003e Devdas Chhotray\u003c\/ul\u003e \u003ci\u003eHumiliation \u003c\/i\u003e\u003cul\u003e Kaifi Azmi\u003c\/ul\u003e \u003ci\u003eFreak\u003c\/i\u003e\u003cul\u003e Chandrashekhar Patil\u003c\/ul\u003e \u003ci\u003eRobinson Crusoe \u003c\/i\u003e\u003cul\u003e Soubhagya Kumar Mishra \u003c\/ul\u003e \u003ci\u003eThe Buddha\u003c\/i\u003e\u003cul\u003e Daya Pawar\u003c\/ul\u003e \u003ci\u003eMy Father Travels \u003c\/i\u003e\u003cul\u003e Dilip Chitre \u003c\/ul\u003e \u003ci\u003eGirl in the Kitchen\u003c\/i\u003e\u003cul\u003e Viadehi\u003c\/ul\u003e \u003ci\u003eHot Noor in Malabar\u003c\/i\u003e\u003cul\u003e Kamala Das\u003c\/ul\u003e \u003ci\u003eTo My Daughter \u003c\/i\u003e\u003cul\u003e N. Balamani Amma\u003c\/ul\u003e \u003ci\u003eHer Garden \u003c\/i\u003e\u003cul\u003e Meena Alexander\u003c\/ul\u003e \u003ci\u003eAvatars\u003c\/i\u003e\u003cul\u003e V. Indira Bhavani\u003c\/ul\u003e \u003ci\u003eHusband\u003c\/i\u003e\u003cul\u003e Popati Hiranandani\u003c\/ul\u003e \u003ci\u003eMan: 1961\u003c\/i\u003e\u003cul\u003e Pranabendu Dasgupta\u003c\/ul\u003e \u003ci\u003eGenesis\u003c\/i\u003e\u003cul\u003e K. Satchidanandan\u003c\/ul\u003e \u003ci\u003eSisters\u003c\/i\u003e\u003cul\u003e Saleem Peeradina\u003c\/ul\u003e \u003ci\u003eFamily Pride\u003c\/i\u003e\u003cul\u003e T.S. Venugopalan\u003c\/ul\u003e \u003ci\u003eTimes Wins\u003c\/i\u003e\u003cul\u003e Benoy Majumdar\u003c\/ul\u003e \u003ci\u003eForensic Medicine\u003c\/i\u003e\u003cul\u003e Gieve Patel\u003c\/ul\u003e \u003ci\u003eAnother Me\u003c\/i\u003e\u003cul\u003e Api\u003c\/ul\u003e \u003ci\u003eBirthmarks\u003c\/i\u003e\u003cul\u003e Rajani Parulekar\u003c\/ul\u003e \u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e THE MASTER CARPTENTER \u003cul\u003e \u003ci\u003efrom Some People Laugh, Some People Cry\u003c\/i\u003e\u003cul\u003e Sri Sri\u003c\/ul\u003e \u003ci\u003eThe Roys\u003c\/i\u003e\u003cul\u003e Arvind \u003ca href=\"\/pt\/article\/lord-krishna\"\u003eKrishna\u003c\/a\u003e Mehrotra\u003c\/ul\u003e \u003ci\u003eThe pleasure Dome\u003c\/i\u003e\u003cul\u003e Shrikant Verma\u003c\/ul\u003e \u003ci\u003eThe Master Carpenter\u003c\/i\u003e\u003cul\u003e G. Shankara Kurup\u003c\/ul\u003e \u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e WHAT IS WOTH KNOWING \u003cul\u003e \u003ci\u003ePoem\u003c\/i\u003e\u003cul\u003e Labhshankar Thacker\u003c\/ul\u003e \u003ci\u003eWhat Is Worth Knowing? \u003c\/i\u003e\u003cul\u003e Sujata Bhatt\u003c\/ul\u003e \u003ci\u003eSituation\u003c\/i\u003e\u003cul\u003e Kaa Naa Subramanyam\u003c\/ul\u003e \u003ci\u003eThe Creative Process\u003c\/i\u003e\u003cul\u003e Amrita Pritam\u003c\/ul\u003e \u003ci\u003eA Pair of Glasses\u003c\/i\u003e\u003cul\u003e Savithri Rajeevan\u003c\/ul\u003e \u003ci\u003eThe Diamond ofCharacter\u003c\/i\u003e\u003cul\u003e Kabita Sinha\u003c\/ul\u003e \u003ci\u003eTamil\u003c\/i\u003e\u003cul\u003e Ganakoothan\u003c\/ul\u003e \u003ci\u003eOur Hindi\u003c\/i\u003e\u003cul\u003e Raghuvir Sahay\u003c\/ul\u003e \u003ci\u003eWoman\u003c\/i\u003e\u003cul\u003e Siddhalinga Pattanshetti\u003c\/ul\u003e \u003ci\u003eThe Naming of Things\u003c\/i\u003e\u003cul\u003e Bahinabai Chaudhari\u003c\/ul\u003e \u003ci\u003eThe yellow River\u003c\/i\u003e\u003cul\u003e Nabaneeta Dev Sen\u003c\/ul\u003e \u003ci\u003eOld Leaves from the Chinese Earth \u003c\/i\u003e\u003cul\u003e Sadanand Rege \u003c\/ul\u003e \u003ci\u003eThe Itch \u003c\/i\u003e\u003cul\u003e K. Ayyapa Paniker\u003c\/ul\u003e \u003ci\u003e\u003c\/i\u003e\u003cul\u003e \u003c\/ul\u003e \u003ci\u003eI and 'I' \u003c\/i\u003e\u003cul\u003e Khalil-ur-Rahman Azmi\u003c\/ul\u003e \u003ci\u003eWhite Paper\u003c\/i\u003e\u003cul\u003e Nara\u003c\/ul\u003e \u003ci\u003eWind, 9\u003c\/i\u003e\u003cul\u003e Subhramania Bharti\u003c\/ul\u003e \u003ci\u003eForgive Me\u003c\/i\u003e\u003cul\u003e Shakti Chattopadhyay\u003c\/ul\u003e \u003ci\u003eOn Bismillah Khan's Shenai\u003c\/i\u003e\u003cul\u003e Chennavira Kanavi\u003c\/ul\u003e \u003ci\u003eStill Life\u003c\/i\u003e\u003cul\u003e Shahryar\u003c\/ul\u003e \u003ci\u003eThe Alphabet\u003c\/i\u003e\u003cul\u003e Arun Kolatkar \u003c\/ul\u003e \u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e THE DOE IN HEAT \u003cul\u003e \u003ci\u003eGreen Snake\u003c\/i\u003e\u003cul\u003e B.R. Lakshman Rao\u003c\/ul\u003e \u003ci\u003eSnake\u003c\/i\u003e\u003cul\u003e Paresh Chandra Raut\u003c\/ul\u003e \u003ci\u003eDawn\u003c\/i\u003e\u003cul\u003e Nirmalprabha Bardoloi\u003c\/ul\u003e \u003ci\u003eIn Camp\u003c\/i\u003e\u003cul\u003e Jibanananda Das\u003c\/ul\u003e \u003ci\u003eFish\u003c\/i\u003e\u003cul\u003e Bhanuji Rao\u003c\/ul\u003e \u003ci\u003eSanthal Poems, 1\u003c\/i\u003e\u003cul\u003e Bishnu De\u003c\/ul\u003e \u003ci\u003eA Page grom the New Diary\u003c\/i\u003e\u003cul\u003e Nida Fazli\u003c\/ul\u003e \u003ci\u003eNext Page\u003c\/i\u003e\u003cul\u003e Atmanam\u003c\/ul\u003e \u003ci\u003eWhirlwind \u003c\/i\u003e\u003cul\u003e Ravji Patel\u003c\/ul\u003e \u003ci\u003eNational Bird\u003c\/i\u003e\u003cul\u003e N. Pichamurti\u003c\/ul\u003e \u003ci\u003eFace to Face\u003c\/i\u003e\u003cul\u003e K.V. Tirumalesh\u003c\/ul\u003e \u003ci\u003eFrogs\u003c\/i\u003e\u003cul\u003e Buddhadeva Bose\u003c\/ul\u003e \u003ci\u003eThe Black Panther\u003c\/i\u003e\u003cul\u003e Sarveshwar Dayal Saxena\u003c\/ul\u003e \u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e THE POSSESSED CITY \u003cul\u003e \u003ci\u003eSea Breeze, Bombay\u003c\/i\u003e\u003cul\u003e Adil Jussawalla\u003c\/ul\u003e \u003ci\u003eCalcutta and I \u003c\/i\u003e\u003cul\u003e Sunil Gangopadhyay\u003c\/ul\u003e \u003ci\u003eTryst\u003c\/i\u003e\u003cul\u003e Sunanda Tripathy\u003c\/ul\u003e \u003ci\u003eNew Delhi, 1974\u003c\/i\u003e\u003cul\u003e Vinay Dharwadker\u003c\/ul\u003e \u003ci\u003eThe City, Evening, and an Old Man: Me\u003c\/i\u003e\u003cul\u003e Dhoomil\u003c\/ul\u003e \u003ci\u003eWinding Sand\u003c\/i\u003e\u003cul\u003e Narehs Guha\u003c\/ul\u003e \u003ci\u003eJaisalmer, 1\u003c\/i\u003e\u003cul\u003e Ghulam Mohammed Sheikh\u003c\/ul\u003e \u003ci\u003eSpeaking of Place\u003c\/i\u003e\u003cul\u003e R. Parthasarathy\u003c\/ul\u003e \u003ci\u003eAlmora Spring\u003c\/i\u003e\u003cul\u003e Sumitranandan Pant\u003c\/ul\u003e \u003ci\u003eOn the Slope of this Hill \u003c\/i\u003e\u003cul\u003e Shamsher Bahadur Singh\u003c\/ul\u003e \u003ci\u003ePassing Through Rajasthan\u003c\/i\u003e\u003cul\u003e Umashankar Joshi\u003c\/ul\u003e \u003ci\u003eRice\u003c\/i\u003e\u003cul\u003e Chemmanam Chacko\u003c\/ul\u003e \u003ci\u003eOf Mohenjo Daro at Oxford\u003c\/i\u003e\u003cul\u003e Keki N. Daruwalla\u003c\/ul\u003e \u003ci\u003eFire\u003c\/i\u003e\u003cul\u003e Amiya Chakravarty\u003c\/ul\u003e \u003ci\u003eAmerican Tourist \u003c\/i\u003e\u003cul\u003e B.C. Ramachandra Sharma\u003c\/ul\u003e \u003ci\u003eDays in New York\u003c\/i\u003e\u003cul\u003e Shiv K. Kumar\u003c\/ul\u003e \u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e DO SOMETHING, BROHTER \u003cul\u003e \u003ci\u003eTowards Delhi\u003c\/i\u003e\u003cul\u003e Kunwar Narain\u003c\/ul\u003e \u003ci\u003eLifetime\u003c\/i\u003e\u003cul\u003e Narayan surve\u003c\/ul\u003e \u003ci\u003eStone-masons, My Father, and Me\u003c\/i\u003e\u003cul\u003e Namdeo Dhasal\u003c\/ul\u003e \u003ci\u003eBabur\u003c\/i\u003e\u003cul\u003e Dom Moraes\u003c\/ul\u003e \u003ci\u003eThe Corpse\u003c\/i\u003e\u003cul\u003e Jagannath Prasad Das\u003c\/ul\u003e \u003ci\u003eCome Back, Alexander\u003c\/i\u003e\u003cul\u003e Sati Kumar\u003c\/ul\u003e \u003ci\u003eHiroshima\u003c\/i\u003e\u003cul\u003e Agyeya\u003c\/ul\u003e \u003ci\u003eA Doctor's Journal Entry for August 6, 1945\u003c\/i\u003e\u003cul\u003e Vikram Seth\u003c\/ul\u003e \u003ci\u003eAmerica, America\u003c\/i\u003e\u003cul\u003e K. Nisar Ahmad\u003c\/ul\u003e \u003ci\u003eBurn this Sari\u003c\/i\u003e\u003cul\u003e A.Jayaprabha\u003c\/ul\u003e \u003ci\u003ePurdah, 1\u003c\/i\u003e\u003cul\u003e Imtiaz Dharker\u003c\/ul\u003e \u003ci\u003eI Never Saw You\u003c\/i\u003e\u003cul\u003e Jyoti Lanjewar\u003c\/ul\u003e \u003ci\u003eMorsel\u003c\/i\u003e\u003cul\u003e Ali Sardar Jafri\u003c\/ul\u003e \u003ci\u003eThe Election\u003c\/i\u003e\u003cul\u003e Sitakant Mahapatra\u003c\/ul\u003e \u003ci\u003eThe Task\u003c\/i\u003e\u003cul\u003e Subhash Mukhopadhyay\u003c\/ul\u003e \u003ci\u003eThe Betrayal\u003c\/i\u003e\u003cul\u003e Nirala\u003c\/ul\u003e \u003ci\u003eDo Something, Brother\u003c\/i\u003e\u003cul\u003e M. Gopalakrishna Adiga\u003c\/ul\u003e \u003ci\u003eSalaam\u003c\/i\u003e\u003cul\u003e Mangesh Padgaonkar\u003c\/ul\u003e \u003c\/ul\u003e \u003c\/li\u003e\n\u003cp\u003e Afterword: \u003ci\u003e Modern Indian Poetry and its Context\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/ol\u003e\n\u003cul\u003e Vinay Dharwadker\u003cbr\u003e Notes to the poems\u003cbr\u003e Suggestions for Further Reading\u003cbr\u003e Select Notes on Poets and Translators\u003cbr\u003e Indexs of Languages, Poets, and Translators\u003cbr\u003e Copyright statement\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Occultnthings","offers":[{"title":"Default Title","offer_id":44619426464045,"sku":"IDD650","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2094\/2117\/products\/the_oxford_anthology_of_modern_indian_poetry_idd650.jpg?v=1677759460","url":"https:\/\/occultnthings.com\/pt\/products\/oxford-anthology-of-modern-indian-poetry-idd650","provider":"Occult-N-Things","version":"1.0","type":"link"}