{"product_id":"dhananjayan-on-indian-classical-dance-nal251","title":"Dhananjayan on Indian Classical Dance","description":"\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Specification\u003c\/h2\u003e\u003ctable\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eItem Code:\u003c\/td\u003e \u003ctd\u003eNAL251\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePublisher:\u003c\/td\u003e \u003ctd\u003e\u003ca href=\"\/sa\/book-publisher\/b%20r%20publishing%20corporation\" class=\"underlined\" title=\"B.R. Publishing Corporation\"\u003eB.R. Publishing Corporation\u003c\/a\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e \u003ctd\u003eEnglish\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e \u003ctd\u003e2004\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eISBN:\u003c\/td\u003e \u003ctd\u003e9788188827046\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e \u003ctd\u003e117 (Throughout Color and B\/W Illustrations)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e \u003ctd\u003eHardcover\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e \u003ctd rel=\"product-dimensions\"\u003e11.0 inch x 8.5 inch\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWeight\u003c\/td\u003e \u003ctd rel=\"product-weight\"\u003e750 gm\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e\u003cbr\u003e\u003ch2 class=\"title is-size-3-desktop is-size-5-touch has-text-centered product-details-description-title\"\u003eBook Description\u003c\/h2\u003e\u003cdiv class=\"product-details-description\" style=\"max-height: 63rem; overflow-y: auto;\"\u003e\n\u003ccenter\u003e \u003cb\u003eAbout The Book\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e The Dhananjayans debut in the federal capital, Bonn, was an outstanding example of their brilliant rendering of the Bharatanatyam style in which the nuances of bhava and abhinaya harmoniously merged with the devotional aspects of bhakti and divine love as interpreted through historical and mythological legends, often centered around the figure of Lord Krishna.\"\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eAbout The Author\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e The Dhananjayans (Shanta \u0026amp; Dhananjayan) have made an indelible mark in the Art \u0026amp; cultural map of Bhaarata. During the last five decades they have made immeasurable contributions to the performing arts in India. Especially their paths breaking aesthetic approach to Bharatanaatyam repertoire and presentations have won world acclaims. Their dance productions are trend setting milestones in the annals of Indian Dance history and often described as .. in step with tradition innovations ahead of their time ...\u003c\/p\u003e \u003cp\u003e The Dhananjayans Bharatanaatyam technique seems as ancient as Naatya Saastra and as modern as a New Yorker... yet very communicative and heart touching expressions that surpass time and space ... \" a connoisseur critic's remark on this legendary couple. They have inspired many artists and students alike. Recently awarded (2004) 'Swati Ratna' title and honour from the Malayalee Club of Madras (Estd 1897) is yet another valuable jewel in their crown of fame.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eForeword\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e In recent years several books on the dances of India, some of them written by authors of non-Indian origin, have been published with attractive colour photographs and excellent get-up and these are sold at fancy prices. Most of them, unfortunately, lack depth of understanding of the subject and often abound in mistakes.\u003c\/p\u003e \u003cp\u003e Sri V.P. Dhananjayan, the well-known dancer of great versatility, published in 1984 his book' A Dancer on Dance' and it has proved so popular that a second edition is being published now.\u003c\/p\u003e \u003cp\u003e 'A Dancer on Dance' is not a text book on dance nor a commentary on any treatise that makes heavy reading. It is' a collection of articles written and lectures delivered by him over a period of time on different subjects connected with dance. It may be called the 'Intelligent Dancer's Guide to Indian Dance'. It contains the well-considered views of a dancer with nearly four decades of experience in the various aspects of dance.\u003c\/p\u003e \u003cp\u003e The first volume was dedicated to the memory of Sri Rama Poduval, Dhanan- jayan's father. The author then pays homage to his Asan, Guru Chandu Panik- kar, one of the 'all time greats' in Kathakali who continued to play roles even when he was 93. This volume is being dedicated to his mentor Smt Rukmini Devi.\u003c\/p\u003e \u003cp\u003e The article on \"Natya; the essence of Hyndhava Dharma' highlights the mythological and philosophical background of dance. As a logical corollary, the next chapter deals with Rasa, the attainment of which is the ultimate goal of Natya, \"the Rasa Nishpatti\". This is followed by tabular statements of the eight Rasas and their manifestations like Sthayi bhavas, transitory states etc. and these will be a boon to teachers as well as students.,\u003c\/p\u003e \u003cp\u003e Chapters IV and V are general chapters and the concept of the male dancer is explained in the latter. The next three chapters are on Kathakali and its comparison with Bharatanatyam. Chapter IX is on 'Sringaara and Bhakti in Dance'. The remaining chapters in the book are on traditional performing arts, contemporary audiences, innovative techniques etc.\u003c\/p\u003e \u003cp\u003e The last part of the book comprises of questions frequently asked by teachers, parents and young aspirants and Dhananjayan's comprehensive replies backed by his vast experience.\u003c\/p\u003e \u003cp\u003e The book is thus a veritable treasure to dance students and others who should be thankful to the author for bringing out a second edition.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ccenter\u003e \u003cb\u003eIntroduction to This Third Edition\u003c\/b\u003e\n\u003c\/center\u003e \u003cp\u003e The book A dancer on dance\" was first released in 1984. Though it is not a scholarly or literary work on the art, it's simplicity and absolutely unpretentious nature of fact presentation was admired by the general readers on art subjects and allied topics. Copies were sold out very soon and I had to go in for a second edition. But for my good friend Musiano A.V. Ramanan and his wife Uma Ramanan the second edition (1991) with additional subject matters and new look would not have been possible, because they took over my workload of editing, proof corrections and all that goes with a book publication. This edition was received with more enthusiasm and became out of stock very soon. But due to reasons beyond my control it took almost 10 years to reprint the book in spite of demands from booksellers all around the world. Now thanks to \"B.R. Rhythm\" publishers assuring in to reprint the book with a new title, new look and a few more valuable articles.\u003c\/p\u003e \u003cp\u003e Hope this will also meet the same enthusiasm from artists, connoisseurs and general readers.\u003c\/p\u003e \u003cp\u003e A lot of valuable suggestions have been made to the Government Departments, Cultural Organizations and general public interested in performing arts. Plenty of information regarding the performing arts scene in our country with contemporary relevance may be of value to the concerned people and they may kindle the interests of research scholars on the subject and go deeper into those areas. Being a performing artist myself, my practical applications to the art are true to human nature and I did not attempt to push to the readers a scholarly and theoretical analysis and reinterpret the ancient text for the sake of authenticity. I have tried to put foreword my own contentions, and convictions and many a time my own theory evolved out of practical experience.\u003c\/p\u003e \u003cp\u003e I am sure discerning people will welcome this new edition titled \"Dhananjayan on Indian Classical Dance\".\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e\n\u003ccenter\u003e\u003cb\u003eContents\u003c\/b\u003e\u003c\/center\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable width=\"100%\"\u003e \u003ctr\u003e \u003ctd width=\"80%\"\u003eForeword\u003c\/td\u003e \u003ctd width=\"20%\"\u003eIV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDedication\u003c\/td\u003e \u003ctd\u003eV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIntroduction to this Third Edition\u003c\/td\u003e \u003ctd\u003eVII\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIntroduction\u003c\/td\u003e \u003ctd\u003eVIII\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGuru Chandu Panikkar\u003c\/td\u003e \u003ctd\u003e1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNatya-The Essence of Hyndhyava-Dharma\u003c\/td\u003e \u003ctd\u003e4\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRasa\u003c\/td\u003e \u003ctd\u003e9\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSeminar on Bharatha Natyam 1966\u003c\/td\u003e \u003ctd\u003e21\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThe concept of the Male Dancer\u003c\/td\u003e \u003ctd\u003e23\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eKathakali-The Poor Man'sRich Art\u003c\/td\u003e \u003ctd\u003e\u003cb\u003e25\u003c\/b\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSimilarities and Dissimilarties between Kathakali and Bharata natyam\u003c\/td\u003e \u003ctd\u003e32\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSringaara and Bhakti in Dance\u003c\/td\u003e \u003ctd\u003e39\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIdeal Stage for Better Performance\u003c\/td\u003e \u003ctd\u003e43\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDance in the Process of Progress\u003c\/td\u003e \u003ctd\u003e48\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInnovative Techniques in Traditional Creativity\u003c\/td\u003e \u003ctd\u003e52\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eQuestions answered I\u003c\/td\u003e \u003ctd\u003e58\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eQuestions Answered II\u003c\/td\u003e \u003ctd\u003e61\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePerfrming Arts of the Sothern Region and their Inter Relationship\u003c\/td\u003e \u003ctd\u003e65\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCulture Explosion\u003c\/td\u003e \u003ctd\u003e70\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOdisha\u003c\/td\u003e \u003ctd\u003e75\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInnovations in Bharatanatyam\u003c\/td\u003e \u003ctd\u003e78\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eArt Criticism is as divine as the Art Itself\u003c\/td\u003e \u003ctd\u003e\u003cb\u003e81\u003c\/b\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFuture of the Arts in India\u003c\/td\u003e \u003ctd\u003e84\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThe Dhananjayans contributions to the Performing Arts Scene\u003c\/td\u003e \u003ctd\u003e85\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEast India - North-Eastern Provinces, Odisha \u003c\/td\u003e \u003ctd\u003e90\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAwards and After\u003c\/td\u003e \u003ctd\u003e115\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eThe Evolution of Dance\u003c\/td\u003e \u003ctd\u003e118\u003c\/td\u003e \u003c\/tr\u003e \u003c\/table\u003e \u003ccenter\u003e \u003cb\u003e\u003cu\u003e\u003cfont color=\"red\" size=\"5\"\u003eSample Pages\u003c\/font\u003e\u003c\/u\u003e\u003c\/b\u003e\n\u003c\/center\u003e \u003cbr\u003e \u003ccenter\u003e \u003cimg src=\"https:\/\/cdn.exoticindia.com\/images\/products\/original\/books-2015\/nal251b.jpg\"\u003e\n\u003c\/center\u003e\n\u003c\/div\u003e","brand":"Occultnthings","offers":[{"title":"Default Title","offer_id":44614346998061,"sku":"NAL251","price":45.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2094\/2117\/products\/nal251.jpg?v=1677717022","url":"https:\/\/occultnthings.com\/sa\/products\/dhananjayan-on-indian-classical-dance-nal251","provider":"Occult-N-Things","version":"1.0","type":"link"}