South Indian Music (Set of 6 Volumes)

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Book Specification

Item Code:	NAL412
Author:	P. Sambamoorthy
Publisher:	THE KARNATIC MUSIC BOOK CENTRE
Language:	English
Edition:	2019
Pages:	1849
Cover:	Paperback
Other Details	7.0 inch x 4.5 inch
Weight	1.50 kg

Book Description

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Volume I

Contents

CHAPTER I	Introduction	1
CHAPTER II	Musicography	31
CHAPTER III	Technical Terms	51
CHAPTER IV	Vocalises	63
CHAPTER V	Sapta Tala Alankaras	86
CHAPTER VI	Acoustics	95
CHAPTER VII	Structure of Alankaras	98
CHAPTER VIII	Concert Programme; Some Underlying Principles	101
CHAPTER IX	Musical Wealth of India	108
APPENDIX	Svarajnanam Exercises	121
	Questions	126

Volume II

Contents

CHAPTER I	Raga	1
CHAPTER II	Tala	18
CHAPTER III	Musical Form	29
CHAPIER IV	The 35 Alankaras	46
	Additional Alankaras	60
CHAPTER V	Gitas	68
	Jatisvaras	86
	Svarajatis	92
CHAPTER VI	Acoustics	103
CHAPTER VII	Technical terms	109
APPENDIX I	Manufacture of Musical Instruments	138
APPENDIX II	Varga vadyas	154
APPENDIX III	Yazh	158
APPENDIX IV	Vocal music vs Instrumental music	165
APPENDIX V	Raga rupa sanchari Huseni raga	174
	Questions	176

Volume III

Preface

In the seventh edition, the theoreticai portions have been further enlarged. Model Appreciation essays on six kritis of Tyagaraja have been added at the end. Some more technical terms have been explained in Chapter XII.

Topics like Analytical and Synthetic portrayal of Ragas in musical compositions and the utility of Sutra gitas are additions to this edition.

The book has been carefully revised and brought up-to-date.

Contents

I.	Raga	1
II.	The 72 Melakartas	32
III.	Janya Ragas : Computation	69
IV.	Raga Lakshana	79
V.	Ta1a	101
VI.	Musical Form	116
VII.	Musical Form (cond.)	185
VII.	Folk Music	225
IX.	Musica1 Instruments	247
X.	Sangita Mela- Orchestra	278
XI.	Musical Compositions (Lakshana gita and Tan varnas)	288
XII.	Technical Terms	308
XIII.	Description of Ragas	345
	Appendix:
	Arohana and Avarohana of Ragas	400
	Questions	441
	Musical Aphorism	445
	Sutra Gitas	446
	Model Appreciation Essays	447
	Analytical and Synthetic portrayal of Ragas	469

Volume IV

Contents

I	Manodharma sangita	1
II	Pallavi	20
III	Svara kalpana	66
IV	Raga classification in Ancient music	79
V	22 Srutis	100
VI	Gamakas	133
VII	Tala	146
VIII	Musical form	185
IX	Obsolete forms	229
X	Style in Music and Musical Compositions	236
XI	Contemporary music	243
XII	Contemporary composers	257
XIII	The Influences of exotic music on the
	development of South Indian Music	267
XIV	Prosody	283
XV	Kachcheri dharma	310
XVI	Comparative music	323
XVII	Raga lakshana	373
	Appendix: Ragamalika March	401
	Questions	404
	Passages for sight singing and Raga
	identification. Test Pallavis	411

Volume V

Contents

I	Music and Mathematics	1
II	Early Experiments in Music	39
III	Survival of the useful and the beautiful in the realm of Music	55
IV	Origin of scales and ragas	69
V	Murchchanakaraka melas	84
VI	Murchchanakaraka Janya ragas	97
VII	Mela, Meta Paddhati and Mela
	Nomenclature	101
VIII	A New scheme of 5184 Melakartas	111
IX	Musical laws, facts and phenomena
	known to the Indian Musicologists
	of ancient and medieval times	134
X	The evolution of Finger technique
	in Indian Instrumental music	145
XI	Raga and Emotion	160
XII	Mudras in musical compositions	183
XIII	Music and Temples	211
XIV	Geographical factors and music	232
XV	Miscellaneous:
	Plural sahityas for famous tunes and
	plural tunes for famous sahityas	247
	The influence of Music on Health	255
	Melodic harmony	261
	Brinda Gana - Its origin and development	265
	Srutir mata ; Laya: pita	269
XVI	Raga Lakshana	273
	Appendices I to V	280
	Questions	289

Volume VI

Preface

This is the Concluding volume in the series of books planned for the; exposition of the Theory of South Indian Music in all its comprehensive aspects. South Indian music can stand on a par with western music in having an intelligent and well-developed system of musicology and which can be studied at the highest levels. Some of the topics dealt with in this book appeared originally as articles contributed by the author to various journals. They have since been amplified and re- written in the light of subsequent researches and presented here.

Matter treated of in Chapters V (Indian music and Western Music - some parallels) and Chapter XIV (Music in Europe and other countries) are more of interest from the point of view of Comparative music.

Twenty pallavis inclusive of well known pallavis and scholarly pallavis art: given with notation in Chapter XIX. This along with the fifty pallavis given in South Indian music: Book IV brings the total number of pallavis given in notation in this Series to 70. Lakshanas of 28 ragas are given in Chapter XVIII and in Appendix II. This brings the total number of ragas described in the several books of the Author to 134.

Contents

I	Nomenclatures in Indian Music	1
II	Musical Facts	9
III	Facts relating to Ragas	21
IV	Music and: Religion	21
V	Indian music and Western music-Some parallel concepts	34
VI	Vestiges of Indian music in the Music of the Neighbouring countries	41
VII	Modern Institutions for the Preservation and Development of Music and Dance	46
VIII	Influences of Hindusthani Music on Karnatic music
IX	Recent advances in the realm of Musicology. Repertoire, Musical Instruments and Research	55
X	Kuravanji Natakas	72
XI	Music of the Ancient Tamils	85
XIII	Folk music and Classical music	106
XIII	Consonance	113
XIV	Music in Europe and other Countries	120
XV	Ragas mentioned in Ancient and Medieval works	141
XVI	Ragas mentioned in Modern Works	179
XVII	Some Acoastic Marvels	141
XVIII	Raza Lakshana	179
	A note on svara sancharas in vakra ragas	187
XIX	Pallavis	192
XX	Rain producing Music	230
XXI	Mysore as a seat or Music	234
XXII	Honours bestowed on Musicians and ...	246
	Dancers in the Past and Present	253
XXIII	Music as a factor in promoting	262
	World harmony	275
Appendix I	Indian Dance	279
Appendix II	Raga lakshana (cont.)	305

</body> </html> Sample Pages
Volume I

Volume II

Volume III

Volume IV

Volume V

Volume VI